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***October Thirty First Two Thousand and Thirteen***


After all those Hopscotch updates, didn't feel like a monthly update last month.  Also, I was super busy eating cake and
wearing polyester pants with Johnny Cash.  But this month we're back on schedule!

Two months worth of possibly-interesting-but-mostly-meaningless instagrams:

Window shadows + Burt.  Cary, NC.  

Ford Falcon.  Cana, VA.  

Roadside farm.  Cana, VA.

Fox drawing.  Cary, NC.  

The back of downtown.  Sanford, NC.  

Sunrise Theatre.  Southern Pines, NC.  


Trocadéro Days
- Pontus Alv and friends cruising the streets.  Yeah it's a commercial for Converse, but this short clip
captures the joy of skateboarding about as well as anything ever filmed outside of a Ray Barbee skate part.

Kowloon Walled City
- It's quite possible I've posted either this link or somrthing very similar, but you can't read about
this place too many times.  

The Chelsea Hotel - A collection of photos of the famous hotel, home of Sid killing Nancy, Leonard Cohen inspiration,
and more musicians, artists and weirdos than you can shake a stick at.    

Three new Photo journal entries - a chunk of band photos, a walk in Eno River State Park, and a weekend trip with
friends and family to southwestern Virginia.

The Music reviews of note for the past couple of months - Whatever Brains, Smith Westerns, Big Boi, and other shit.


Big Boi
with Killer Mike
Memorial Auditorium

Big Boi was supposed to be one of the headliners at this past Hopscotch Music Festival, but after hurting his leg he
had to postpone his show.  It was a real bummer at the time, but in hindsight having another great show to go to a
couple of weeks later only increased the entertainment value of Hopscotch.  As an added bonus, they gave away a lot
of the tickets for free for this show, to make up for him missing the festival.  I would have gladly paid a king's ransom
for the show, assuming a king's ransom is somewhere no more than fifty bucks or so. 

Opening the show was Killer Mike.  He played Hopscotch last year and wasn't even scheduled at this year's festival,
so a free show out of him was extra super awesome icing on the already tasty cake.  He was one of my highlights that
year and this was a very similar performance - just him and his man DJ Trackstar, lots of songs from his album "R.A.P.
Music," and a crowd eating it up.  He performed his hit song "Reagan" accapella, and climbed into the crowd contin-
ually to spread his gospel.  I use the word gospel intentionally, because seeing Killer Mike feels like attending the
service of an excitable preacher.  But if church were more like his shows I might actually go. 

After seeing Big Boi at Moogfest a couple years back on accident because Devo cancelled, I vowed to never miss
him live again.  It was the single best hip hop performance I had ever witnessed, with a full band and back-up singers
and a dance troupe and he played every Outkast and Big Boi song you'd ever possibly want to hear.  This appearance
wasn't quite on that level, but it was really damn close.  He still had a live band but not as many members; he still had
dancers, but only a couple; but he still played every Outkast and Big Boi song you'd ever want to hear, including plenty
of songs from his most recent (fantastic) record "Vicious Lies & Dangerous Rumours."  One addition this time was a
giant gold throne in the middle of the stage for him to sit in occasionally because of his hurt leg, but he didn't use it
nearly as much as I was expecting.  He also had his kids on stage the entire time, standing on either side of the
throne, just bobbing their heads and shuffling their feet in time with the music.  What a trip it must be to be standing
on stage with your father as he performs.  Anyways, it was a damn good time and hopefully I don't have to wait a few
more years to see him again.  And while we're hoping, let's get Outkast back together for god's sake. 


with Golden Void & Nate Hall with the Poison Snake
Blackout Effectors

It's rare but sometimes there is a good show happening when I'm up in the mountains visiting the family.  Blackout
Effectors is a guitar pedal manufacturer in Asheville, but sometimes they have shows in their back room.  The ad-
mission was cheap and they had free beer!  I don't even drink but I can admire a good value.

Nate Hall opened the show.  Or more specifically, Nate Hall with the Poison Snake, his new live band (drums and
bass) for his solo endeavors from US Christmas.  It appears his next generation of solo material will be more than him
and an acoustic guitar, based on this show.  Honestly it just seemed like a slightly stripped down US Christmas, and
since Nate writes the songs for both acts I don't know how he now decides what songs belong to which group, maybe
there's a spreadsheet or something.  I do know the bassist of this group is Richard Kirby, former pro skateboarder for
Santa Cruz, which is pretty cool.  Does this qualify the band as skate rock?  Either way, it sounded good and he's
been promising a new solo record for a while so hopefully that gets released soon.  Supposedly all the new songs
played on this evening are to be on that record.

Golden Void were the middle band.  I knew absolutely nothing about them other than they were from the Bay Area,
my former stomping grounds.  For lack of better terms, they played "boogie metal," a term I've coined for music that is
equal parts stoner rock, seventies metal, and butt rock the likes of BTO or Deep Purple or Steppenwolf.  I guess some
of the members are or were in other acts like Earthless, Assembled Head in Sunburst Sound, and Roots of Orchis, or
so the internet tells me.  They were pretty damn good, though they played a little long in my opinion.  The lead guitarist
absolutely destroyed, solos for days.  If I could play like that I don't think I would ever set the guitar down.

The final band of the night was Pontiak, and I would finally see them live (and the subsequently see them again at
Hopscotch just a few days later).  It somehow seems fitting that my first viewing of this band of brothers and their
southern gothic kraut metal would be in a dark room in the back of a store on a rainy night instead of a proper rock
club.   I often refer to bands being tight aka playing really well together, very in-sync and at a high skill level, but I'm not
sure another band exists that sound as together as these guys.  Is it because they're brothers?  I gotta think that plays
a part in it.  I was already a big fan of these guys, but seeing them live bumped my fanhood up ten fold.  They went
from "good music" to "never to be missed live again."


with Parting Gifts
The Cat's Cradle

I saw that the Parting Gifts were opening for this Superchunk show, and decided I didn't need to get to the Cradle in
time to see their set.  But then I walked in and saw who was on stage, and my stupid brain all of the sudden remem-
bered who the Parting Gifts are - one of Greg Cartwright's side projects!  Man I felt stupid for forgetting this, and
bummed I'd already missed at least half of their set.  I've seen Greg solo, with the Reigning Sound and (as of Hop-
scotch 2013) with the Oblivians, but this was my first time in this configuration, paired up with the Ette's Coco Hames. 
It still mostly sounds like a Greg Cartwright project, his voice and guitar work being so distinctive, but occasionally
Hames would take the lead on vocals.  She's both nice to listen to and nice to look at, so it was a nice addition.  They
played mostly songs off of their one full-length record, but also threw in a cover of the Beach Boys' "Don't Worry Baby." 
If you're a fan of Cartwright's other projects you'd be a fool not to check the Parting gifts out, and hopefully if you go
see them live you make it to the gig on time.

I've seen Superchunk dozens of times over the last twenty years (probably somewhere between the two dozen and
three dozen mark if I were to wager a guess), but this was my first time not seeing them with Laura Ballance.  I've had
a crush on her for over half my life, and not seeing her on stage with the band pogoing up and down while playing bass
leaves a hole in my heart.  Filling in for her was Jason Narducy, who amongst other acts is currently working with Bob
Mould (as is Chunk drummer Jon Wurster).  He did a fine job, clearly a professional, but I was really missing Laura -
I was standing right in front of where she should be!  The band still sounded fantastic, despite this change.  I'm not
going to go into great detail on what they played as the set list is surely online somewhere, but they played for nearly
two hours with two encores, and played a lot of their great new album "I Hate Music."  Some other highlights included
"Punch Me Harder," "Water Wings," "Detroit Has a Skyline,"Precision Auto," "On the Mouth"...basically, everything
they play I love.  Most importantly they played their cover of the Magnetic Fields' "100,000 Fireflies," a song they don't
play live all that often but at this point I consider it more theirs than Magnetic Fields.

One odd thing that did stand out that I personally had never seen before - the band came back out and played their
second encore after the house music had already come back on.  Usually that music (plus the lights coming on) is the
universal sign that it's time to leave, so I'm not sure if the sound man messed up turning it back on too early or if the
band surprised him by coming back out.  Either way, it was a truly surprising encore, and if my brain serves they
played the classic "Throwing Things."  And now when bands finish their sets and the house music comes on, I'll be
second guessing whether or not it is time to leave...


Birds of Avalon

with Tonk and The Lollipops

It was Kings 3rd anniversary this weekend - I was there for the opening weekend (Bandway!!!) and have probably
been to this club more times in the last three years than everywhere else in the triangle added together.  I'm a big fan
of the venue, the owners, and most of the bands they have play on their stage, and that was no less true for this
anniversary gig.

When I got in the club Tonk was already into their set.  Not sure how much I missed, but everything I did get to hear
was damn good.  When I first saw this band most of their set was covers, but now they're playing mostly originals
(I actually didn't recognize any covers, but that doesn't mean there wasn't any).  Apparently they even have a record
coming out soon that I look forward to hearing.  No matter who is writing the songs though, they all fit that Tonk
seventies-style country mold.  We're talking "tear in your beer" country, and they're damn good at it.  

To be perfectly honest I wasn't really feeling the Lollipops the first time I saw them, but this second viewing has me
rethinking that opinion.  They've definitely got some catchy pop songs, and I've always been a sucker for bands that
set up their own dramatic lighting.  They have a sorta ramshackle Guided by Voices sound crossed with more upbeat
radio-friendly fare like MGMT.  The bass was way too loud though, and this from someone who usually complains
there isn't enough bass.  I'm not sure if this was intentional or just the night's mix, but it was slightly annoying.  I'd def-
initely be up for seeing them again though, not something I said after the first show I saw by them.  I should probably
listen to their record on bandcamp too, the thing is free after all.

I don't even know what to say about Birds of Avalon at this point.  They were always good but now they are SO GOD-
DAMN GOOD.  I swear they're five times better every time I see them.  It's a psych-kraut wonderland, with stellar guitar
shreddery and a pretty much perfect rhythm section.  As an added bonus Missy Thangs, best known for her work with
Love Language but who also seems to be a member of at least eighteen other bands, was adding some keyboard to
the action.  I'm not sure if her addition is just a temporary thing or in the band's long-term plans, but it worked pretty
well.  These kids make some swell records and I'm really looking forward to what they put out next, but seeing them
live is where it's really at.  More Bird of Avalon shows!  I demand it!


"You kick in the door to my house all ants in your pants, sucking my left nut to get a TiVo scrap for the 3rd runner-up
'sexiest man alive' 1998... And you're asking if I'm SERIOUS?"

Coachwhips - Extinguish Me.  They played all the time when I lived in SF and their live shows were a hot mess.  The
recordings are much better IMO.  
Bonus: Thee Alarm.  

Ed Schrader's Music Beat - Airshow.  One of the best things to happen in my life these past couple of years was
discovering the awesomeness of Ed Schrader live.  
Bonus: Rats.  
Bonus: Sermon.  
Bonus: Traveling.  

Grape Street - A Date With You.  I adored the band Harlem but their break-up appears to have been beneficial to
music fans (and more importantly me) as it resulted in two new awesome bands - Grape Street and Lace Curtains
(see below).  Both released some of my favorite records of the last few years.  
Bonus: Kawnee.  
Bonus: Threw It All Away.  

Jason Lytle - Matterhorn.  It might technically be a Jason Lytle release, but it sounds just like Grandaddy.  Not that
I'm complaining.  
Bonus: Somewhere There's a Someone.  
Bonus: Your Final Setting Sun.  

Lace Curtains - Bedroom Honesty.  See the Grape Street blurb above.  
Bonus: High Fantasy.  

Roky Erickson - Click Your Fingers Applauding The Play.  I'm not entirely sure what to say about Roky...he's a
Bonus: Starry Eyes.  
Bonus: You Don't Love Me Yet.  

Saviours - Apocalypse World Split.  Hey, a metal song!  Well, Saviours are sorta punk-metal or something.


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