Free
download of
the Wesley
Wolfe
album "Cynics Need Love Too". I only recently got hip to
this dude making pleas-
ant music (see review below). And it's free, so why not give it a
shot?
Not a full video, but Girl and
Chocolate Skateboards released the trailer for their next video,
which will obviously be
amazing. Hell, this trailer alone is probably better than most
anything else that has been released lately.
It's website like this that make the existence of the internet
worthwhile: Ugly Renaissance Babies.
Here are some great
photos of the most depressing happy place on earth - an amusement
park in North Korea. Yes,
it's just as bad as that description sounds.
Wrote a few music
reviews over on the review site
- the highlights being Total Control, Jacuzzi Boys, TOW3RS,
Mikal Cronin, The Strange Boys and Russian Circles.
Also a couple of photo journal entries above, nothing groundbreaking,
some random shots of birds taken in my yard
and, of course, band photos.
I celebrated the meaningless adulation of the date 11/11/11 by going to
see The Sea & Cake in Chapel
Hill. I saw
them for the the first time in this same town (no big surprise there),
only at the Cat's Cradle with Trans Am and Tractor
Hips opening on May 4th, 1997. No, I'm not some sort of date
savant, I've still got a poster I bought at the show on my
wall (a poster by Casey Burns, no less). I've seen them maybe one
or two other times since then, and a couple of Sam
Prekop solo shows, but you just don't get that many opportunities to
see the great band live.
Given the age and style of this
band, is it sexist to mention how surprised I was that there were so
many young attractive
women at the gig? Probably. But I was expecting a bunch of
middle aged men with beards to dominate the audience,
and certainly there were plenty of "us" there, but the ratio was
actually decent. Of course, you really only notice this kind
of crap between bands, and once the Sea & Cake started playing it's
almost like I'm transported into a world where
they are playing a private concert just for me. Some bands are
like this - they always have been. And of course, they
put on a stellar performance as you would expect from this group of
seasoned professionals, playing a lot of their newer
material with a few classics sprinkled in. I'm terrible with song
names with this band, but I know they played some of my
favorites like "The Argument" off of "The Fawn" and "Leeora" plus
something else off "The Biz" and thankfully about
halfway through they played "Jacking the Ball" from their self-titled
album so that asshole who screamed out for between
every single song finally shut the fuck up. Have I mentioned how
much I hate these sorts of people? If I were in a band
I'd refuse to play whatever song was being yelled out purely out of
spite.
Anyways, good show. Hopefully they don't wait so many years to
come back again. The word needs more bands
like this.
Spider Bags with Wesley Wolfe and TOW3RS
Tir Na Nog
10/20/2011
This was a pretty exciting version
of "Local Beers, Local Bands" - two great groups in Spider Bags and my
new crush
TOW3RS, plus Wesley Wolfe who I've been meaning to see for quite some
time now. I was there early and excited,
staking out a good spot so I could snap some of my mediocre
photos...only to discover that the old lady had removed
the memory card from my camera and not returned it. So not only
was I not able to take photos, I now had this heavy
albatross hanging around my neck, as useless as a tuxedo on casual
Friday. But once the music started, things got
better.
TOW3RS
opened the night. I'd just seen them for the first time a few
weeks prior, and instantly became smitten with
their larger-than-life shambolic pop. I keep comparing them to
early pre-disco Of Montreal, but there is a ton more
going on, from the weird cultiness of Danielson Famile to the chamber
pop of Polyphonic Spree to the...well, I feel like
I should make some more "current" comparisons but I'm old and out of
touch. And truly, none of those comparisons
really sum up their sound, but are rather just a touchstone to give you
a general idea of what you are getting into - a
shambolic, BIG pop sound, instantly catchy, with band members that are
too cute, like woodland creatures morphed
into humans that formed a band. And something tells me of all the
crap I wrote here, being compared to woodland
creatures is the one they would most agree with. Oh and they are
really, really fun. Did I forget to mention that?
Obviously, that is the most important, and best part of TOW3RS.
Wesley
Wolfe - I honestly didn't know what to expect. One of
my friends mentioned they were good, but our conver-
sation got side-tracked and I never got around to asking what they
sound like. And I'm not sure what the short pigeon-
holing phrase would be to somewhat sum up their sound, but you remember
in the mid-to-late nineties when there were
a bunch of catchy bands that were almost "emo" like Get Up Kids or
Promise Ring but a lot poppier, more akin to
Knapsack or Hey Mercedes? That's what the bulk of their songs
reminded me of. The rest reminded me of Super-
chunk or maybe Jawbreaker circa their "Dear You" album after Blake
Schwarzenbach had his throat surgery (an
unfairly maligned album, and an all-time favorite of mine). So,
you know, it was fun, catchy music with a rock edge,
tunes you could bounce to but not really mosh. I definitely need
to hear this band's recorded output, as my interest was
piqued. And as a side note, apparently Wolfe makes his own vinyl
records? I don't mean records the songs and pays
for the vinyl himself, but actually creates the albums? Pretty
cool. That's gotta be an expensive hobby though.
The final band of the night was
the always mesmerizing and dumbfounding Spider Bags. Like Whatever
Brains, they
are nominally a "punk rock" group, but they are so much more than that
in ways that are tough to express. Really,
they're probably closer to early, drunken Replacements...and I'm not
saying "drunker than" the Replacements, as that
is probably not humanly possible based on the stories I've read, but in
the ballpark. You could probably throw some
Velvet Underground comparisons in there as well, based mostly around
the singer's Lou Reed-like sing-speak style,
but that might be a stretch. What I do know is they are
completely mesmerizing to watch live. Not only do they take
advantage of every inch of the stage, they are almost definitely going
to end up in the middle of the crowd at some
point, and quite possibly on the floor. I've seen bands do this
for years, so it's nothing new, yet every time it delights
me to no end. Simple pleasures for simple minds I suppose, and
I'm okay with that. Viva la Spider Bags.
The only show I've anticipated more than this one all year was the
"secret" Archers of Loaf show way back in January.
When they announced M83 was going to be playing Moogfest up in
Asheville, I would have definitely gone whatever
day they played despite not giving a shit about much of the other music
and the tickets being damn expensive. Then
when they announced a stop at Kings, that not only I'd get to see them
in town but in a very small venue...well, musical
nirvana washed over me.
Active
Child opened the show. I'd seen them play for free a
few months ago at Deja Mi Fest in front of the Lincoln
Theatre, and was really neither here nor there on them - some
interesting moments but overall not really my style of
music. I felt only slightly better about them this go
around. It certainly helped that the sound in Kings was much
better
than that outdoor show, as this group has a certain subtlety to their
music. I think the big draw of the group is part of
what keeps me away - Pat Grossi's voice. While undeniably
remarkable, his operatic style of singing doesn't exactly
ruffle my feathers. I did like the music for the most part
though...maybe not the harp so much, which makes them
sound like Antony & the Johnsons crossed with Joanna Newsom.
But the rest of the time, probably two-thirds of the
set, had a nice Hot Chip feel to it. Certainly, they were a
fitting opener for M83, and the crowd seemed to dig it, or at
least dig it as much as they could given how amped up everyone was for
the headliner.
M83
brought an arena rock show to a 250 person venue, complete with
extravagant light show and sizable crew of
surly roadies who yelled at me because there were some empty beer cans
on the edge of the stage. Beer cans that
weren't mine, for the record, not that that kept them from being
assholes. But none of that mattered once the intro
started, which led into the first single "Midnight City" from their new
album "Hurry Up, We're Dreaming" and it was on
from there. Anthony Gonzalez might be a (mostly) one man
operation in the studio, but live he leads a four piece band...
a band with more pedals than a Guitar Center, multiple keyboard
stations, and even an awesome modular synthesizer.
Oh an lasers. And light boards. And a smoke machine.
They played a nice, long set, made up mostly of the new
record but with just enough older tracks (Teen Angst, Kim & Jessie,
Guitar & a Heart, etc) thrown in to keep us long-
time fans happy. Of course I was beyond happy from the first note
from all the way to the last note. Easily one of the
best shows of the year...I'll be talking about this one for a
while.
OCSC 10th Anniversary Party with Crooked Fingers, Kerbloki, and Seven Brides for the Meatwagon
Cat's Cradle
10/15/2011
Just because I've never actually been to the OCSC, doesn't mean I don't
want to celebrate their success. Especially
when it involves a bunch of great bands.
Due to some family in town and a late dinner stuffing myself silly with
Mexican food, I got to the Cradle just after Crooked Fingers had started
their set. I've seen them a thousand times so it wasn't end of
the world that I was late,
but there is also a reason I've seen them so many times - Eric Bachmann
always delivers a fantastic show, time and
time again. His sound might slightly morph between different
styles, but that booming deep voice of his always ties the
music together, much like The Dude's rug really tied the room
together. And like most Crooked Fingers shows, the
band was almost completely different from every other time I've seen
them, working as a standard four piece this go
around. The material was mostly from their great new album
"Breaks in the Armor", but there were a few oldies thrown
in there for us long-time fans like "Broken Man", "New Drink for the
Old Drunk", and "You Can Never Leave". There
was quite a bit of singing along to "New Drink", and I'm not just
talking about myself. I'd would say I hope they come
back around soon, but we all know they will...and I'll be there, and it
will be a great show, as always.
Despite having known JB forever, I'd never seen his band Kerbloki perform live
before. I know at one point they were
just a fairly straight-forward hip hop group featuring middle aged
white men, but at some point they added the rhythm
section of Caltrop and it really gives them that extra...ummph.
Anytime you've got multiple ridiculous outfit changes from
multiple band members, you're probably dealing with a good time.
The songs are only mildly funny, with titles like "No
Drinks on the Dance Floor", and live you can barely understand what is
being said anyways, but the group really brings
them to life and jumps around on the stage like kids half their age
wish they could. The crowd was bumping and
dancing and laughing the whole set - sure, JB and the rest of the band
members probably knew at least three-quarters
of the attendees, but who cares...a good time is a good time.
I'm not sure it's possible to adequately describe the final band of the
night, Seven Brides for the Meatwagon.
I first
became aware of these guys years and years ago when they would play the
Mammoth Records christmas parties in
the late nineties. Basically, it's a cover band featuring local
musicians (most noteworthy Jim Wilbur and John Wurster
of Superchunk), playing sloppy covers of a wide range of songs.
One minute you'll be getting a Pavement or Dinosaur
Jr or Archers of Loaf track, and then that will be followed by
Smashmouth or Barenaked Ladies or Ke$ha. It's a delight-
ful, fun mess that written down or even told as an anecdote to friends
doesn't sound nearly as enjoyable as it actually is.
But there is something about a bunch of middle aged white guys playing
a drunken, disheveled version of Ceelo's
"Fuck You" that really pleases me to no end. And it wouldn't work
if they played all the time of course, but seeing them
every 5 or 10 years? The joke never gets a chance to get
old.
"Everybody
panic! Oh my God, there's a bear loose in the coliseum! There will be
no refunds! Your refund will be
escaping this deathtrap with your life! If you have a small child, use
it as a shield! They love the tender meat! Cover
your sodas! Dewie loves sugar!"
Pixies - Hang
Wire. Felt
like posting some classic shit. Don't get much more classic than
the Pixies.
Bonus: Havalina.
The Afghan Whigs - Conjure
Me.
Ditto for the Whigs. My love for this band grows with each
passing year.
Bonus: I'm
Her Slave.
Beirut - Santa
Fe. The new Beirut is one of my very very VERY
favorite records of the year. Took the out there
influences of his earlier records and paired them with pop songs.
Bonus: The Rip Tide.
Last Year's Men - Hold
Me Right. These super young local kids released one of
the best records of last year and
I'm just now getting around to posting some songs from it.
Typical really.
Bonus: Spilled.
Beat Beat Beat - Don't
Tell Me Now.
Sort of a minor off-shoot/side project from the Carbonas. Great
live, just ok
recorded.
Gray Young - Seven
Fourteen.
Local post-rock band that I like ok when they sing, but totally love
when they are
just rocking out.
Bonus: Vermilion.
Other Lives - Old
Statues.
I have nothing particularly interesting to say about this, but I like
it.
Bonus: Tamer
Animals.
The Dodos - Companions.
The Dodos continue drifting away from their early material, which is
their best material.
Still, I can dig it.
Bonus: Good.
