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Reviews (just scroll down to read)
Half
Nelson (8.5/10)
Halloween
(8/10)
Hamlet
2 (6.5/10)
The Hammer (8/10)
Hancock
(7/10)
The Hangover
(9/10)
The
Happening
(5/10)
Happenstance (6.5/10)
Happy
Feet (4/10)
Happy-Go-Lucky
(7/10)
Hard
As Nails (5/10)
Hard
Candy (3/10)
Hard Times (7/10)
Harold & Kumar Go to
White Castle (8/10)
Harry and Tonto (8/10)
Hatchet
(4/10)
Hated:
The GG
Allin Story (6/10)
The Haunting (4/10)
The
Haunting in
Connecticut (6.5/10)
Havoc (5/10)
The
Heartbreak
Kid (4/10)
The
Heart Is A Lonely Hunter (8/10)
Heavyweights (7/10)
He Got
Game (8/10)
Hell Ride
(7/10)
Hellbound:
Hellraiser II (4/10)
Hellboy (8.5/10)
Hellfighters
(6/10)
Hellraiser
(5/10)
Hero (9/10)
He's Just
Not
That Into You (4/10)
Hidalgo (7/10)
Hide and Seek (3/10)
High Lonesome Sound (8/10)
The Hills Have Eyes (6.5/10)
The Hills Have
Eyes (6/10)
History of Violence (8/10)
Hitch (5/10)
The
Hitcher (4.5/10)
The Hitchhiker's Guide to the
Galaxy (7/10)
Hitman
(7/10)
Hollywoodland (5/10)
The
Honkers
(6/10)
Hooked:
The
Legend of Demetrius Hook
Mitchell (7/10)
Hooper
(6/10)
Hoosiers (10/10)
Hostage (7/10)
Hostel (7/10)
Hot
Dog... The
Movie (6/10)
Hotel Rwanda (8/10)
Hot
Fuzz (8/10)
The
Hot Rock (6/10)
Hot Rod
(7/10)
The House
Bunny
(3/10)
House of 1000 Corpses
(6.5/10)
House of Sand and Fog (7/10)
House of Wax (4/10)
The
House on Haunted Hill (3/10)
How to Deal (3/10)
How to Draw a Bunny (5/10)
Howl's
Moving
Castle (7.5/10)
Hulk (6/10)
The Hunted (5/10)
Hunt for Red October (8/10)
Hustle
& Flow (8.5/10)
I Am A Fugitive From A
Chain
Gang (7/10)
I Am
Legend
(7/10)
I Heart Huckabees (7.5/10)
I Like
Killing
Flies (7.5/10)
I Love
You, Man
(8/10)
I Stand Alone (7/10)
I Want
Someone
To Eat Cheese With
(7/10)
Ice
Age: The Meltdown (6/10)
The Ice Harvest (5.5/10)
Idiocracy
(6.5/10)
Idlewild
(6.5/10)
I'll Sleep When I'm Dead
(7/10)
The Illusionist (6.5/10)
I’m Not Scared
(8.5/10)
I'm Not
There.
(7/10)
I'm
Reed Fish (5/10)
In Good Company
(7.5/10)
In The Cut (3/10)
Incident
at Loch
Ness (4/10)
The Incredibles (8.5/10)
Independence Day (6/10)
The
Indian
Runner (7.5/10)
Indiana
Jones
& the Crystal Skull
(1/10)
Inside Man (8/10)
Inside
Moves
(6.5/10)
Intermission (7/10)
Into
the Wild (8.5/10)
Invincible (2001) (6/10)
Invincible (2006) (7/10)
The
Invisible (5/10)
Irma la
Douce
(7/10)
Iron
Giant (7/10)
The Island (7/10)
The
Island of Dr. Moreau (7/10)
Island of
the
Dead (3/10)
It! The Terror
From Beyond Space (3/10)
The Italian Job (7.5/10)
Jackass Number Two
(8.5/10)
Jackass
2.5
(5/10)
The Jacket (5/10)
Jackie Brown (6.5/10)
Jack
the Bear (6/10)
Jarhead (7.5/10)
Jay and
Silent
Bob Strike Back (7.5/10)
Jerry Maguire (5/10)
Jersey Girl (5/10)
Johnny
Dangerously (8/10)
Joysticks
(4/10)
Junebug (7.5/10)
Junior Bonner
(6/10)
Jurassic
Park
III (4/10)
Just Like Heaven (1/10)
Kansas
City
Bomber (5/10)
The Karate Kid (9/10)
Kids in
the Hall: Brain Candy (7/10)
Kill Your
Idols
(6/10)
Killers from
Space (1/10)
The
Killing of a
Chinese Bookie (6/10)
King Arthur (6.5/10)
King Corn
(7.5/10)
King of Blue Grass (5/10)
The King
of Kong
(9/10)
The King
of
Marvin Gardens (6/10)
King of New York (7/10)
King of
Ping
Pong (4/10)
King of the Hill (7.5/10)
The
Kingdom
(6.5/10)
Kingdom of Heaven (6.5/10)
Kiss Kiss
Bang
Bang (7/10)
Kitchen
Stories (7/10)
Kontroll (7/10)
Half
Nelson (2006)
-
8.5 out of 10 -
The movie
reviewers always like to
refer to people or things as a “tour-de-force”, but I'll be
goddamned if
Ryan Gosling doesn't fit that bill in this fantastic but
depressing film. Not to mention young Shareeka Epps,
who is
brilliant herself and hopefully gets cast in many, many more films. I
can say, without a shadow of a
doubt, this is the best movie about
a public school teacher hooked on crack who befriends a middle
schooler. I've heard from more than a few sources complaints about
this flick because “nothing happens”,
but I think that is
precisely what makes it so great...it shows the real world as it is,
not some hollywood
version of it.
Halloween
(1978)
-
8 out of 10 -
A
real, actual scary/creepy horror film that still manages to be a
slasher flick as well? These dis-
parate ideas rarely coincide with
one another, but with the masterful John Carpenter behind the helm
all things are possible. Even multiple
viewings later, the scenes
with Michael lurking in the shadows,
sometimes with just a hint of
that creepy mask showing...it give me the heeby-jeebys just writing
about
it. I've always loved the other popular
fare of this ilk like
“Friday the 13th" and “Nightmare on Elm
Street”, but those flicks are pretty much
just funny slasher films – just as enjoyable, but not horror films.
Real horror films are few and far between
and the original
“Halloween” is one of the best.
Hamlet 2 (2008)
- 6.5 out of 10
-
I'll be honest,
a psudo-musical comedy
about high school drama geeks is not a description that gets my
blood
boiling, but this turned out to be much better than expected. Mostly
because the lead, Steve Coogan,
is one of the funniest human beings
I've recently come across. I know he has been famous in his home
country for eons, and it's good to finally see him get some starring
roles here in the U.S.
The Hammer (2008)
- 8 out of 10 -
As a big fan of
Adam Carolla, it was
pretty much a no-brainer I would like this film. He has a unique
sense of humor, and certainly there are folks that won't vibe with
his style; in that event, you probably
won't like this film, because
it is a whole lot of Adam talking and talking and talking, as he is
known
to do. All of this talking is wrapped up in the package of a
“rom-com” for dudes, about a washed-up
boxer trying to make a go
if it again, and falling in love in the process. The characters are
likable,
especially Ozzie (also a frequent guest on Adam's radio
show) and a brief cameo by Jane Lynch.
Unless you already have
built-in dislike of Carolla, this is a film well worth checking out.
Hancock
(2008)
-
7 out of 10 -
It
was only a matter of time until Will smith tried to tackle a
superhero movie...though I would have pegged
him to tackle a more
traditional role, based in the comics, rather than one written for
the screen. I enjoyed it
though, especially the whole “antihero”
aspect and Jason Bateman's inclusion as an “image consultant”,
which
was good for a number of laughs as he basically played the same
character he played in “Arrested Develop-
ment”. And was Charlize
Theron even featured in the previews for this film? I was caught
completely off guard
when she showed up part way through the flick.
The Hangover (2009)
- 9 out of
10 -
Certainly not
the first of it's kind, but this film is one of the finest examples
that a weak plot is not necessarily
a detriment to a good comedy. With top-notch writing, some very
memorable characters and a setting as
completely ridiculous as Las Vegas, the possibilities are
endless. I've been a huge Zach Galifianakis fan
for years, and him getting a vehicle for his goofy personality is well
past due.
The Happening (2008)
- 5 out of
10 -
For a film
called The Happening, it would have been nice if more happened.
Happenstance (2000)
- 6.5 out of 10 -
You know that phenomenon called “the butterfly effect”? Well,
this is that, in film form. A series of events
cause one thing to happen which causes another to happen and on and on
until it fills up an entire film.
Given the subject matter and that it stars the always lovely Audrey
Tatou, it’s an easy assumption to think
of this as a Jeunet-lite movie, and that’s pretty much what it
is. Cute characters, interesting story, paced
and shot in a very similar manner…but the big difference is that it
doesn’t have near the imagination of the
stuff Jeunet produces. It’s a fairly enjoyable and cute film, and
a decent way to wile away a rainy Sunday
afternoon.
Happy
Feet (2006)
-
4 out of 10 -
This
has got to be the strangest kids movie I've ever seen...maybe I'm out
of touch, but it didn't strike me as a
fun movie for the youngsters
at all. It was WAY too much singing and dancing, like a cartoon
version of a bad
musical; not nearly enough hijinks and comedy to
keep me interested, and I have a much longer attention
span than most
tots. But then again, maybe it is just me...I know the child version
of myself would have hated
this movie, and the adult version feels
pretty much the same way, as well as the two other adults I saw it
with.
Not that I had high expectations, but this film was truly
disappointing.
Happy-Go-Lucky (2008)
- 7 out of 10 -
I have a soft
spot in my heart for Mike
Leigh's bleak British films...I can't put my finger on it, but pretty
much
everything he has ever put out I have enjoyed thoroughly. And
my reaction was the same here - a damn fine
film - though I was
struck by how...upbeat the whole affair was. Upbeat is not a word
that comes to mind
when Leigh is involved, but he does it quite well
here. The whole thing is carried by the lead, Sally Hawkins,
a
newcomer to me but someone worth keeping an eye out for.
Hard
As Nails (2007)
-
5 out of 10 -
There
are religious freaks, and then there is this guy. To his credit,
Justin Fatica seems like a man who hon-
estly believes in his religious
fanaticism, and isn't just a chizzler looking for a quick buck. You
almost want to
get behind the guy, until you listen to the completely
inane crap spewing out of his mouth, and then you just
want him to go
away. As a documentary, this was fairly interesting but about a
half-hour too long; but a big
part of me is so disappointed that
people like this exist, I can't possibly give the film a good score.
Hard Candy (2005)
- 3 out of 10 -
This movie
pissed me off. This was
most likely the intention of the flick to begin with, and I suppose
they
deserve a little bit of credit for creating something that
actually gets a rise out of people rather than just
being eye candy;
but at the end of the day, I think back on the flick and only have
bad thoughts for it. It's
one of those vague films where you have to
infer your own details, only the nature of the story line is one
where you really want to understand how certain characters came to be
the way they were. I suppose
the acting jobs by everyone involved
are commendable, as you really believed they were their characters.
But I hated those characters, so it's hard ot give this any sort of
passing grade.
Hard Times (1975)
- 7 out of 10 -
This movie is a lot like Cinderella Man, only Charles Bronson is about
a thousand times more awesome
than Russell Crowe will ever be. Set during the Depression, as
all good movies should be, this film follows
the story of a boxer, played by Bronson, who is down on
his luck and looking to make a little money the only
way he knows how - fighting. He gets in with a gambler played by
James Coburn (who is fuckin' great in
this), and together they make quite a bit of change in backroom
bareknuckle fights. There are a few typical
twists and turns, and of course the good guys win, but the whole thing
is carried out and acted remarkably
well and certainly worth a viewing. Although does anyone ever really
need convincing when it comes to
watching a Bronson film?
Harold & Kumar Go to
White Castle (2004)
- 8 out of 10 -
I dunno if I would have even
thought about it much at first, but since everyone else brings it up I
might as well
mention it to – yes, it is
pretty cool that Hollywood actually made a dumb comedy like this one
starring an
Indian guy and an Asian
guy. But more important than that they made it, is that it is
really funny. Not unlike
the director's previous film
Dude Where’s My Car?, the film is totally absurd and makes no
real attempt to
follow a linear story line
or even physics, but if you are laughing out loud as much as I was you
don’t really
care. Not only does
this film tackle stereotypes by it’s very existence, that is also a big
part of the story as
well…all of it really, other
than the constant hawking of White Castle (which apparently worked,
because my
girlfriend was really
craving it after the film…and she’s never even eaten there
before). So far Danny Leiner
is 2 for 2 in making
hilarious movies, let’s hope he can keep it up.
Hatchet (2006)
- 4 out of 10 -
A low-budget
slasher film called Hatchet...I'm not
sure a review is even needed. People get killed, titties get
flashed. Only thing of note is that it stars Bud from "The
Cosby Show".
Hated: The GG Allin Story
(1994)
- 6 out of
10 -
I found it a bit
tough to assign a specific number for a
rating on this film, because there are two sides tugging
at me...while the film
is not all that enjoyable, it does accurately represent what a nutjob
GG Allin
was. The man
was so screwed up and did
so many insanely outrageous (and disgusting) things to himself and
others that
the
whole mess comes off like a car accident.
And I’ll admit it was a certain level of curiosity that led me to
finally
watch this after years of putting it off, but I don’t feel I actually
gained anything from the experience, if that makes
any sense.
The Haunting (1999)
- 4 out of 10 -
The setting was
a neat old British
castle, and Owen Wilson gets decapitated by a giant lion head, but
other
than that I can't really think of a damn thing worthwhile in
this heap. Oh, I suppose it's also worth mentioning
that Catherine
Zeta Jones looks crazy hot in the film but that pretty much goes
without saying, no? That sound
you hear is Vincent Price rolling
over in his grave at how they bastardized one of his original creepy
flicks.
The Haunting in Connecticut
(2009)
- 6.5 out
of 10 -
A decent horror
film but nothing great. Basically the screenwriter decided
combining "The Exorcist" and
"Amityville Horror" into film would be a good idea, and the results
were very middle-of-the-road. The house
was the real star of the show, managing to be creep and
fascinating at the same time. The sort of house
you'd live to find abandoned and explore, something I
loved doing as s kid.
Havoc (2005)
- 5 out of 10 -
Yet another entry in the “kids are bored, here is a movie about them
doing shocking shit” genre. They
rarely get these films right, and this one is real wrong…the rich white
“wiggers” are so incredibly over the
top they play out like a parody more than anything, like a more serious
“Malibu’s Most Wanted”. And
picking Freddy Rodriguez from “Six Feet Under” to play a latino
gangster was about as believable as my
cat learning to ballroom dance. The only thing really right in
this movie is Anne Hathaway, who is not only
the best actor involved, but super-duper-crazy hot; honestly, if she
didn’t look so good there is a high
probability I wouldn’t have even finished this movie.
The Heartbreak Kid
(2007)
- 4 out of 10 -
Ben Stiller just
needs to stop making
movies for a little while. Or at the very least, stop starring in
crap like
this – stick to small roles in actually funny movies as
opposed to starring gigs in shit fests. I'm guessing the
paychecks
are too nice to turn down. I can't really think of anything more to
say about this pile than “don't
bother.”
The
Heart Is A Lonely Hunter (1972)
-
8 out of 10 -
This
movie is just as sad as the title implies; nearly cry-worthy at the
end, really. Alan Arkin delivers the per-
formance of his life as a
deaf/mute man who spends all his time helping others with their
problems, but
because of his limitations he is never able to get any
help with his own ailments. How he didn't win the Oscar
for this
film just blows my mind (I'm personally going to pretend the
supporting actor nod from "Little Miss
Sunshine" may be somewhat of a
“make-up” call). Based on a Carson McCullers novel, it actually
quite hard
to think of anything bad to say about this flick other
than the extremely sad feeling it leaves you with in the end.
Heavy Weights (1995)
- 7 out of 10 -
Yeah, I hear you laughing at me, but
this is actually a pretty funny movie. Not only was
it written by the man
behind Freaks and Geeks, Judd Apatow, but
it also features one of the greatest performances by Ben
Stiller ever put to film. And besides all that, it's a
predictable, cute film full of fat kids
and fat jokes and
everyone loves a good fat joke.
He Got Game (1998)
- 8 out of 10 -
This might be getting a little higher rating than
it deserves because it's a basketball movie, and I have
a real soft spot for those types of films. Ray Allen, best known
as a professional basketball player,
does a much better acting job than I ever though possible in the lead
role of Jesus Shuttlesworth, and
Denzel Washington is great as usual as his father. The one thing
I think this film has over all others of
this genre is what a fantastic job it does at portraying the pressures
that young sports talents face every
day, from greedy relatives to friends with ulterior motives to sports
agents and unscrupuous cads of all
stripes. Plus, as is typical for all Spike Lee films, the
cinematography and music are brilliant. I've
watched this a number of times now, and it's always an enjoyable piece
of cinema.
Hell Ride (2008)
- 7 out of 10 -
A homage/throw
back to the biker
exploitation flicks of the late sixties and early seventies. You got
tough,
grizzled dudes, you got hot, vapid chicks, and you got an
endless array of sex and violence. It's pretty
everything you want
in a film like this - c-list actors and actresses mugging for the
camera, flashing their
genitals and bleeding all over the place like
stuck pigs. And some really awesome motorcycles.
Hellbound: Hellraiser II
(1988)
- 4 out of
10 -
What I said
about Hellraiser, only this time the plot is possibly even cheesier and
you lose the effect of
seeing the Cenobites for the first time.
Hellboy (2004)
- 8.5 out of 10 -
Ye gods, this is one of best comic book adaptations that's ever been
filmed as far as I'm concerned.
They could not have made Hellboy (played by Ron Perlman) any more
perfect. both as an ass-kicker
and a smart-ass. And since I first saw this film and really
searched out as many comics on the guy as
I could find, the job they did on this
flick only became more and more impressive. Even more
exciting,
is the possibilities of what may come with the sequel - so many
stories, so many possibilities.
Hellfighters (2007)
- 6 out of 10 -
ESPN-made
documentary about a
Harlem-based high school football team, struggling to field a squad
against loads of
adversity...no home field to play or even practice
on, tons of academic issues with the
players, and an
egomaniac coach
that tends to make things worse more often than better. It's a
pretty
interesting
story, if not a little long-winded, and you can't
help but pull for the kids to succeed and make
better lives for
themselves, in spite of their coach who seems to do everything in his
power to screw
things up,
mostly because he refuses to cede any power
and accept help from others.
Hellraiser (1987)
- 5 out of
10 -
I remember
thinking this film was creepy as shit as a kid, one of the few horror
films that gave me the
chills...but time has not been kind. Pinhead and the rest of
the Cenobites are still pretty scary, but the
special effects and acting are beyond atrocious. Though
since a small child I've never trusted puzzle
boxes and that hasn't changed. Also, skinless
talking corpses that smoke - definitely not trustworthy.
Hero (2002)
- 9 out of 10 -
Like most boys around my
age, I spent a large part of my childhood watching kung-fu movies,
reading
karate magazines, and
dreaming of
being a ninja. Bruce Lee and
Sho Kosugi were my
heroes, I owned
and lost more
throwing
stars bought
at the flea market than I can even recount...shit, I even loved
Gymkata.
I grew
out of all of that
for the most
part, but still enjoy a good karate flick from time to time…I expected
Hero to be a pretty
good film, nominated
for an Academy Award and all (they don’t always get it right, but
most
of their pics are
generally good), but I
had no idea it would be this amazing. It’s a real shame that it
didn’t receive the hype that Crouching Tiger, Hidden
Dragon did, because this film blows that one out of the
water.
Told in flashback style, our
hero known only as Nameless - played by Jet Li in a wonderful,
understated
performance -
chronicles how he
defeated three assassins to get into favor with the king in ancient
China.
Each of these tales
could be a film
in and of themselves – the characters are incredible interesting, the
filming is fantastic, and
most importantly, the
fight scenes manage to take that fantastical Hong Kong-style
of movie
fighting and make it
seem almost
believable. Without giving anything away, the film presents
differing versions of different flashbacks
as it whittles
down what really happened, before reaching the
dramatic conclusion.
But even if the story was
bad, the acting was terrible, the direction hackneyed, the most
important part
of this film was the
location.
Mostly filmed in desolate portions of western China, it was an
otherworld like
I’ve never seen and nearly
had me on my computer
booking flights there immediately. Obviously, the
beauty of it
all is brought out by having
a fantastic director,
cinematographer, and film crew, but without
that natural landscape to
work with, the film would
have been considerably
less appealing. I think it’s
time to get a second job and start
saving for a trip to central/west
China…
He's Just Not That Into You
(2009)
- 4 out of
10 -
Let me state
this up front - I only watched this because Ginnifer Goodwin was in it
and the old lady insisted
on our watching it. Goodwin was as adorable as always and the
only thing that kept me from leaving the
room to be honest. It's mostly an inane romcom, not really awful
but definitely not good, but it loses major
points for lasting over two hours! Seriously, a run-of-the-mill
hack film like this should be 90 minutes max,
no matter how cute the star of the film is.
Hidalgo (2004)
- 7 out of 10 -
Despite it's overwhelmingly pro-horse stance, this was surprisingly
decent. I rented this thinking
it was
something else entirely - particularly that it was about some ancient
wars or something ( I think Alexander
and Hannibal and all those flicks got me confused on the matter).
Turns out it was based on the true life
story of Frank Hopkins, some wild west-type dude who ran and won lots
of long distance horse races. I
personally know nothing on the subject and
therefore cannot verify the claims of the film, but it made
for
interesting cinema nonetheless and that's all you can really ask
for. Viggo Mortensen makes for good
film cowboy material, and there is also a brief appearance by everyones
favorite prison nazi, JK
Simmons. Pretty amazing scenery as well, a very well shot film.
Hide and Seek (2005)
- 3 out of 10 -
Why does DeNiro sign on for crap like this? It boggles the mind.
This movie was so boring I think I
fell asleep with my eyes open. Elizabeth Shue still looks good,
as does Famke Jansen, but neither
are in the film very much. There was a decent mood to the film,
and DeNiro seemed ot do the best
he could, but the story was just attrocious and nothing can overcome
that.
High Lonesome Sound
(1963)
- 8 out of 10 -
This DVD was actually a compilation of three shorts documenting the
sound of the Appalacian
mountains, all from the the late 50's/early 60's time frame. The
title film, which covered Kentucky
resident Roscoe Holcomb, his music and his life. An interesting
and intimate portrait, this was a
man still living a very meager lifestyle despite having some amount of
acclaim in the musical world.
The scenery and music are fantastic and well worth checking out.
The best of the three was the second feature, "The End of an Old Song".
This short followed Dillard
Chandler, a western North Carolina man who was keeping the old mountain
songs and style of sing-
ing alive despite the general lack of interest in it from most folks.
In one scene he is singing a beautiful,
unaccompanied ballad in a restaurant, and
a patron puts on a country song on the jukebox, showing
no respect for this amazing artist. You get a much better picture
of Dillard as a complex man and not
just a musician, and it is great.
The final film is on the Carter Family, entitled "Sara and Maybelle",
and although the songs they
perform are great, it's not a terribly engaging flick. Worth
checking out for the songs though.
The Hills Have Eyes
(1977)
- 6.5 out of 10 -
A family en route to
California get sidetracked and brak down in the middle of nowhere…a
middle of nowhere
that just happens to be
infested with an inbred clan of cannibalistic hillbillies that decides
to treat these interlopers
like a buffet at the
Sizzler. Heroic german shepards plus Dee Wallace Stone and
crazy looking cave dwellers
have all the makings of a
classic cult film.
And that it is – but despite
this movies legendary status as a gory horror film, it hasn’t really
held up with time.
Nowadays, I can’t say that
it’s really either gory or scary…but despite that I still found it
quite enjoyable. The first
time I saw this was when I
was a kid, and I hadn’t seen it since then; I don’t even remember being
particularly
scared by the movie back
then, but I certainly found (and still find) Pluto a.k.a. Michael
Berryman quite
freaky,
probably because he is
(apparently he suffers from some rare medical
condition where he has no sweat glands,
hair, teeth, or
fingernails). But it is exactly his character, and the cannibal
family in general, that makes this film so
interesting even still –
they looked the part of creepy backwater killers in such an authentic
way that you never see
anymore. Is it wrong
to pull for the bad guys? Because I certainly was with this film,
despite knowing the outcome.
The Hills Have Eyes
(2006)
-
6 out of 10 -
I'm
of two minds here – for a remake, they didn't do a bad job with
this one. But still, it is a totally unnecessary
remake of a classic
film that still stands up quite well to this day. Certainly, the
70's grittiness of the original lent
it a level of creepiness that
few modern films can touch. Instead, they tried to counter this by
making it gorier
and flashier, with mixed results. I will say the
nuclear test town and many of it's lesser inhabitants were well
thought out and executed, and the sets as a whole were great – the
filming locations in Morocco that they chose
were completely
otherworldly and made for great eye candy.
History of Violence
(2005)
- 8 out
of 10 -
Based on a graphic novel by
the same name (that from what I’ve read, it doesn’t follow very
closely),
History of Violence was such
an enjoyable thriller that even including Maria Bello in
it didn’t make it
unwatchable. This is
basically the story of a man trying to escape his past which has caught
back up
to him.
In many ways it’s an extremely predictable film, but David Cronenberg
does such a fantastic
job of crafting this film
that you don’t care. Yes, the same guy who brought
is Scanners and Videodrone
has really honed his skills
and between this and his previous release Spider has really started
showing
an eye for making really
great movies. Sure, his early stuff was fun and enjoyable but I
don’t think anyone
would claim they are well
crafted films. Anyways, good acting on the parts of Viggo
Mortensen, Ed
Harris and William Hurt (wish
there had been more of him), no superfluous junk in the plot making the
film barely over 90 minutes,
and like I said, I really like the direction Cronenberg is going
in.
The Hitcher (2007)
- 4.5 out of 10
-
Yet another
remake of a film that never
needed to be remade, as is so common in the horror genre. I mean
sure, this thing was made well, the “horror” scenes are indeed
horrific, but the story is pointless and most of
the acting just
awful. The only bright spot was Sean Bean as the killer...you're
definitely rooting for the bad
guy in this one.
Hitch (2005)
- 5 out of 10 -
Hey, it's a typical romantic comedy! Honestly, what to
say...I've seen worse I guess. Kevin James has some
funny moments and Eva Mendes is crazy hot as usual.
Nothing really stood out and nothing really sucked,
nothing really to recommend, nothing really to
avoid. Nothing else really to say on the matter either.
The Hitchhiker's Guide to
the Galaxy (2005)
- 7 out of 10 -
I know it makes me a rarity
amongst my generation, but I’ve never read Hitchhiker;
and the previews looked
terribly dumb, so I wasn’t expecting a lot here. Perhaps
it was those low expectations that made me enjoy it
as much as I did…well Zooey Deschanel is probably the
main factor that I found it engrossing, but even had
she not been in it I’m sure I would have
enjoyed the flick.
The opening song sung by the
dolphins, “Thanks for All the Fish”, really sets the tone for the
silliness that is
about to transpire. I’m still not totally
sure what happened in the movie other than Earth got exploded, which
resulted in Tim from “The Office” and Mos Def tooling
around the universe getting into all sorts of adven-
turous trouble. It was all
quite goofy but quite endearing and likeable at the same time.
Something about it
made me think of Terry Gilliam’s
“Adventures of Baron Munchausen”, though I don’t recall the floating
head
of Robin Williams ever
being featured in Hitchhiker. Anyways, a fun film that brought a
smile to my face many
times.
Hitman
(2007)
-
7 out of 10 -
A
movie of a video game, as is so popular these days...and like the
video game, it's all mindless violence
and little plot – eye candy
for men basically. Watching it on blu-ray made it all that more
impressive, and is
truly the best way to see a film like this where
your eyes are doing all of the storytelling. And speaking of eye
candy, this film has one of the finest forms of it in Olga Kurylenko,
who very rarely is dressed in clothes that
aren't see-through. You
could of course nitpick the flick over how shoddy and full of holes
the plot is and the
wooden acting, but I'm not sure it was intended
to be anything more than a real-life video game simulator,
and in
that arena it did a fantastic job.
Hollywoodland
(2006)
-
5 out of 10 -
I
guess one positive from this enormously mediocre film is that I
learned there was actually some contro-
versy in the death of George
Reeves – best known as being the first Superman. So I've got that
going for
me. Otherwise, I was pretty much just bored out of my
mind. The flick looked good I guess, they did a fine
job making it
look authentically fifties. So while I was being bored, at least my
eyes were enjoying them-
selves.
The Honkers (1972)
- 6 out of
10 -
Seems like this
was a popular topic of filmmaking in the seventies...the life of the
lonely rodeo rider.
It always revolves around touring on the rodeo, a dysfunctional family
life, lots of drunken bar scenes with
the occasional fight, and often a trip to the drunk tank or some sort
of minor run-in with the local constab-
ulary. I feel like I've seen a half-dozen films just like this
one, but it's still enjoyable. It helps when you
have the likes of James Coburn and Slim Pickens starring in the
show.
Hooked: The Legend of
Demetrius Hook
Mitchell (2003)
- 7 out of 10 -
This is a
fantastic documentary about
the Oakland streetball legend Hook. Before I even ever saw this
I
would hear about Hook from some of the older guys I played ball with
in Oakland, never really sure what
was truth and
what was fiction. After seeing this film, and some of the
grainy tapes of dunk contests
years
ago, turns out
it was all true – this guy was as good a
player as I've ever seen. Since this cat isn't a house-
hold name, you
can probably guess what happened to the guy...got caught up in drugs
and with sketchy
characters, ends
up in prison, never able to achieve
his dream of playing in the NBA (which surely would
have happened
had
he kept his head on straight when he was younger). Whether you are a
basketball fan
or not, this is
a fascinating story, one told too many
times unfortunately, but totally engrossing nonetheless.
Hooper (1978)
- 6 out of 10 -
Hey, this is from an era where CB radios, long-distance trucking and
disco music were top dog - why not
film glorifying stuntmen? There ain't much of
a story here, but rather a bunch of stunts strung together inter-
spersed with Burt Reynolds and that awesome laugh of his. Plenty
of talent in the cast - Jan-Michael Vincent,
Sally Field, Brian Keith, Terry Bradshaw and a bunch of other football
players; lots of goofy action and laughs,
and zero brain cells used by the end of the film. A good late
night romp if nothing else.
Hoosiers (1986)
- 10 out of 10 -
After all these years, what is there to say about Hoosiers?
Simply put, it's the greatest film ever made
about basketball. Yes, even better than Space Jam or Above the
Rim. Hoop Dreams might be better,
but since it's a documentary I'm not sure you can compare the two.
One thing is for certain, my life is
better for having seen both of these films, and no doubt played some
part in making basketball as im-
portant to me today as it is.
Hostage (2004)
- 7 out of 10 -
Bruce Willis really
likes action movies. You've seen some of his work right?
Die Hard, Die Hard 2,
ummm...Die Hard 3, whatever. Well, this has a kidnapping twist to
the plot, but other than that it's just
another Bruce Willis action movie. Maybe a few less catch phrases
as was in Die Hard and a few
less Wayans as was in Last Action Hero, but still pretty much the
same. But it's a pretty entertaining
romp, popcorn fare that will help you
pass the time. Everything turns out as you expect it
to, no surprises
here, but then it wouldn't be a Bruce
Willis action movie if there was a complicated plot now would
it?
Hostel (2005)
- 7 out of 10 -
Ah, a good old-fashion slasher flick like I grew up on…goofy plot, hot
topless chicks, smart-ass char-
acters, gore galore, and the lone survivor. Honestly, you could
chunk these points into a machine and
come out with an equally as workable screenplay, but Eli Roth does a
fine job of
putting all of these
pieces together and making it enjoyable. I really loved the set
for the “slaughter
house” more than
anything else in the film, it was just dripping with creepiness.
Hot Dog... The Movie
(1984)
- 6 out of 10 -
Boobies! Skiing
humor! Terrible in
every regard, yet somehow totally awesome! Really, that is all you
need to know here.
Hotel Rwanda (2004)
- 8 out of 10 -
I would like to highly recommend
that anyone who can, should watch the documentary The Last Just
Man before taking this film on – it isn’t necessary, but getting
the actual historical facts to go along
with the film, and seeing the real people involved, makes everything
portrayed in this movie that much
more real. I think without
knowing the back story, it might be easy to assume that
the filmmakers are
overstating the genocide for the
purpose of making a moving picture, but this is simply
not the case.
As horrific as the events are portrayed in Hotel Rwanda, the real thing
was a thousand times worse.
I really enjoyed this movie thoroughly, well made and well acted on all
fronts. Don Cheadle
is the
obvious
standout and he deserves any and
all praise he got for his work on this movie. The
results of this genocide
were absolutely horrific, and the film does its best to show this but
it is simply impossible to portray the
slaughter of 800,000 people over
the course of three months in a movie. Bring your
hanky, cause there’s
a good chance you’ll cry during this film, even you tough guys.
Hot
Fuzz (2007)
-
8 out of 10 -
The
idea of the madcap crew behind “Shaun of the Dead” taking on the
buddy-cop genre is pretty close to
brilliant both in theory and
execution. They manage to make a film that is plenty original while
at the same
time cribbing nearly every bad action film cliché
and rolling it into their story. Again, like in “Shaun”, Simon
Pegg and Nick Frost play off of each other like they were custom
built to star in comedies together, a modern
Laurel & Hardy if
you will. With any luck they will continue to pair for films,
because god knows we're all better
off for the work they produce.
The
Hot Rock (1972)
-
6 out of 10 -
Light-hearted
70's crime capers were a lot like Meg Ryan romantic comedies of the
90's – that is to say, as
plentiful as meth cooks in a rural jail. This flick ain't nothing
groundbreaking, but it's fairly
entertaining; one of
the classic you're-pulling-for-the-thieves crime
romps, with Robert Redford as the lead crook and nice
supporting
roles by George Segal and Moses Gunn. Of course, everything goes as
planned and the bad
“good” guys end up on top, but it's not a bad
ride getting there.
Hot Rod (2007)
- 7 out of 10 -
If you ever said
to yourself “I wish
someone would make a Napoleon Dynamite-like flick but with a bunch
of
Saturday Night Live cast members”, well then do I have the movie
for you! This film is extremely stupid
in every possible regard, but
I guess I was in a good mood when I watched it cause I laughed a lot.
Plus,
Isla Fischer is a mountain of hotness and I never tire of
looking at her. And they kept the movie short,
sweet and to the
(retarded) point. This is the “Citizen Kane” of “stupidly
funny stunt man comedies feat-
uring Bill Hader”.
The House Bunny (2008)
- 3 out of
10 -
You're pretty
much only going to want to watch this pile to see Anna Faris acting
stupid in skimpy outfits,
who does the ditzy blond role about as well as anybody. Other
than that it's your typical "make the nerds
popular" flick set in sorority. Of course, there is the "bad"
sorority trying ot foil their plans, but you can
guess how that turns out.
House of 1000 Corpses
(2003)
- 6.5 out of 10 -
This is one of those textbook examples of where
the sequel (The Devil’s Rejects) is better than the original.
In this case, it actually has little to do with the
story, as both are goofy horror plots that could be written by a
moderately-trained chimp, but I’m guessing
it has everything to do with the budget and the fact that Rob
Zombie had gotten a better feel as a
director by the time the second feature was finished.
But thats not to say this flick isn’t any good
- rather, it’s quite fun and ridiculous just as you would hope. I
like
that Rob Zombie is trying his damndest to resurrect
the trashy 70’s horror genre, and doing a decent job at
it so far. Plus, having Sid Haig in any
film of this nature is a sure-fire bet for success.
House of Sand and Fog
(2003)
- 7 out of 10 -
Dear god man, that was one
damn debbie downer of a movie. I dunno what to say about it
without
spoiling the story, but just
about every single time when you think things are going
to pick up for those
involved it just gets
worse. In some ways I could and maybe should have given it a
higher score, but it
was such morose fare that
the thought of ever watching it again makes it hard to really score
high. But
the acting jobs – they were
terrific all around. Everyone already knows how great Ben
Kingsley and
Jennifer Connelly are,
but the person I was most impressed with was Shohreh Aghdashloo, who
could
make most grown men cry with
her performance.
The whole thing was shot
very beautifully too, but then you have to try hard to make something
shot here
in the Bay Area ugly.
Highly recommended if you like massive boner-killer depressing
movies. Do not
watch this if you’re feeling
the least bit down, it might drive you over the edge.
House of Wax (2005)
- 4 out of 10 -
There is something to be said for watching a mediocre horror movie just
to see Paris Hilton get killed, and
it is nearly the only reason to actually watch this (the other reason –
the melting house at the end of the film is
pretty damn cool). There’s no real story to speak of and nearly
all of the acting is horrible, but the villains are
very creepy and there are enough gory scenes that it kept me watching
from start to finish. This film might be
one of the few exceptions where it would have been a plus to watch it
in a theatre with a bunch of people who
try to be funny by yelling at the screen.
The
House on Haunted Hill (1999)
-
3 out of 10 -
Not
having seen the original, I can't really say how this holds up to the
Vincent Price classic. My gut instinct
tells me it doesn't hold up
very well at all, given it certainly doesn't hold up well in the
“movies worth spend-
ing any time watching” category. The only
real item of interest in the schlock-fest is the set...they do at
least
manage to pull off a nice creepy building in which to film an
awful movie. I can't possibly think of what
scenario led to Geoffrey
Rush having anything to do with this cheese factory, but my gut
instinct tells me it
was a dare...or possibly at gunpoint.
How to Deal (2003)
- 3 out of 10 -
I don’t really have much to say on this, except that it was so boring I
only watched the first 30 minutes or so.
Maybe it got better? I dunno. the only reason I was
watching it in the first place
anyways was to stare at
Mandy Moore, but her haircut in this film is pretty questionable and
was not able to hold my attention. But
she’s still hot, so at least the film has that going for it. I
think I’d rather watch that terrible movie where she
is the president’s daughter again instead of finishing this.
How to Draw a Bunny
(2002)
- 5 out of 10 -
Is it art? That seems to be the overwhelming theme that runs
through this documentary on the scenester/
artist Ray Johnson. He seems to
be an artists’ artist, as all of his friends spoke highly of his work
while they
were the ones actually succeeding; many of his
contemporaries are interviewed and speak highly of the
man, but the work they show in the film
leaves a lot to be desired. For someone who ran in the same
circles as Andy
Warhol, Chuck Close, Cristo and all those sorts he certainly never
achieved even a mod-
icum of the fame they did,
but by all accounts he enjoyed life and really, what more could you ask
for? I’m
not
particularly knowledgeable on art, but Johnson’s work certainly seemed
lacking, as
was this document-
ary on him.
Howl's Moving Castle
(2004)
- 7.5 out
of 10 -
I'm not always
down with the Japanese animation, even when it isn't technically
"anime", but this is a
damn good film. The story is basically a love story, nothing new
there, but what sets this apart is the
imagination in the details. To break it down as simply as
possible, the film is steampunk meets
witches-n-wizards meets war. Plus there is a scarecrow that is
alive but not really and hops all over
by bouncing up and down on his stake...I'm not sure what genre that
falls under.
Hulk (2004)
- 6 out of 10 -
I can't place my finger on why, but thid is another one of those movies
where a number of the parts are
great, but the whole package is boring and ineffective. This is
especially surprising in this case, with
Ang Lee behind the
camera and Eric Bana
and Jennifer Connelly
doing a good job in front of it. The
special effects were also great, and particularly of interest towards
the end when the Hulk was trashing
San Francisco. I think the biggest problem might have actually
been Lee, who is great for dramas but
probably not the best choice for an action flick - he inserts too much
unnecessary dramatic tension, and
not enough "wrecking shit". It's watchable, but not something you
need to go out of your way for.
The Hunted (2003)
- 5 out of 10 -
This movie was really
stupid, but it looked good. I really expected more from both
Benecio del Toro and
Tommy Lee Jones…with six
names between them, you’d think they’d be more discriminating
about what
films they choose to
do. I’m not even going to get into it, but try and
imagine a really dumbed down, point-
less version of First Blood
and that’s the general idea. Filming this in the Pacific
Northwest was the smart-
est thing they did in the
entire film, and the main reason I kept watching…man it’s really
beautiful up there,
I could totally imagine
moving to Portland if I thought I could put up with the rain.
The Hunt for Red October
(1990)
- 8 out of 10 -
What’s the deal with submarine movies? Why do they rock so
much? Why does Sean Connery’s Russian
accent sound Scottish?
I don’t have the answers to any of these questions, but I do know that
this is a great movie. Well acted on
all fronts, lots of tense drama (without the requisite baby’s mama),
and plenty of hot sub-on-sub action.
Now, we all know Das Boot is the best sub movie ever and there’s really
no need to argue, but could this
be the second best? Quite possibly. And it is certainly a
great representation of Cold War conflicts,
maybe even better than the cinematic masterpiece Red Dawn.
Wolverines!
Hustle & Flow
(2005)
- 8.5 out of 10 -
First and foremost, this is a fantastic film, a tale of redemption that
could be applied ot anyone, anywhere,
but they chose the vehicle of dirty, southern hip-hop and hustlin' pimp
to
deliver the message. The message
being - if you want something bad enough, you're going to have ot make
it
happen yourself. But honestly, to
me, all that was secondary to Terrance Howard and his portrayal of the
main
character of DJay...seriously, I
haven't seen a more stunning piece of acting in a long, long time.
He
breathes so much life into the character,
so much emotion and energy that if he never comes close to this level
of a
performance again, he'll still go
down in my book as one of the greats (but for the record, he is almost
as
good in "Crash", although in a much
smaller role). Hip-hop fan or not, watch this film, watch
Terrance
Howard, and watch the very essence of what
makes movies so great.
I am a Fugitive from a
Chain Gang (1932)
- 7 out of 10 -
Sure, it may be a little dated but this film actually helped change the
perception of the chain gang to a negative
one, which eventually led to
their demise as a form of punishment. Based on a true story, Paul
Muni is fantastic
as the lead character James
Allen, a drifter who was in the wrong place at the wrong time and ends
up getting
sentenced to hard
time on a chain gang. He eventually escapes and ends up making a
great life for himself
under
a different name, but when his gold-digging wife rats him out he
finally has to face the
music of his past.
How much of this story is actually true and how much is fictionalized
for the
camera is not known to me, but
either way it is powerful stuff and obviously led to good things in our
society, not something many films can
claim.
I Am Legend (2007)
- 7 out of 10 -
MY love of
post-apocalyptic films, be
they good or bad, is well stated; and no matter what cause the
collapse
of modern man, it generally makes for very fertile
movie-making soil. This outing is pretty much a fancier, up-
date
version of the campy classic “The Omega Man” - both are based on
the same source material. This one
is much more serious and tense,
but that isn't tough when you are comparing it to an original that
starred
Charlton Heston. Like all of these flicks, it has it's
problems – here, the main issue is that the special effects/
CGI of
the “infected” is a little hokey and not very realistic. But
taken as a whole, it's a damn enjoyable flick,
and worth watching if
for no other reason than seeing the shots of New York City completely
desolate.
I Heart Huckabees
(2004)
- 7.5 out of 10 -
All of the previews were
calling this an “existential comedy” – a phrase that would normally
keep me away
from the theatre like a fat
man from Jenny Craig. But David O. Russell has
had a long line of good films,
and the characters looked so
quirky and likeable, it seemed only fair to give it a shot.
It’s kinda tough to wrap up
the plot in just a couple of lines, because it has so many plots and
subplots
intermingled within one
another. Basically, Albert Markovski (Jason Schwartzman)
approaches a couple
of existential
detectives (Lily Tomlin and Dustin Hoffman) to
investigate some unusual happenings in his
life. Hijinks
ensue, mostly
revolving around Markovski’s job and a power struggle with Brad Stand
(Jude
Law), who also
happens to be a suit
with the Huckabee’s Corporation (seemingly a very Target-like
de-
partment store). Markovski
is then paired up
with Tommy Corn (Mark
Wahlberg), a firefighter obsessed
with petroleum con-sumption,
and together they
continue to make things into a huge mess, and a very
funny one at
that. There’s plenty
of other crap going
on, but that’s the gist of it mostly.
To
be honest – a lot of the philosophy stuff seemed a bit trite and
pointless. There was a whole lot more
armchair psychology
than I
would have liked, but some folks will surely find it witty and thought
provoking.
But moreimportantly,
it was a
fucking hilarious film. Equal parts witty dialog, absurd scenes,
and slap-
stick schtick; despite
my
reservations to
certain plot points, for every nonsense philosophy lite conver-
sation,
there was a half-dozen
good
laughs to be
had. Some viewers may not be able to get past the
more irritating
parts, but for me if
a film makes me laugh, I like the film - it’s a simple concept. I
highly
recommend this film to anyone that likes blatant
silliness and has a
strong stomach for inane self-
examination.
I Like Killing Flies
(2004)
- 7.5 out
of 10 -
Really
interesting, quirky documentary about a stubborn fry cook, his family
and the diner they own in
NYC. Rambling theories, insane food concoctions, arbitrary rules
for all
customers, and more surliness
than any one group of people ought to have. But somehow that
package makes for
a damn entertaining
movie. They're the sort of folks you enjoy on screen but wouldn't
want ot spend much time
with in person.
I Love You, Man (2009)
- 8 out of
10 -
I'm not a gay
man, but I definitely have a mancrush on Paul Rudd. I'm sure I'm
not alone - at least on
film and in interviews, he is incredibly funny and personable in a way
that you wish your jackass friends
would be. Basically this entire movie is about Paul Rudd trying
to make male friends, not only with the
characters in the movie but it is as if he is attempting to make
friends with the audience as well. And
it works...god knows I'd like to hang out with him.
(Also, I just
noticed the director of this fine film was John Hamburg, also
responsible for the criminally-
underrated "Safe Men".)
I Stand Alone (1998)
- 7 out of 10 -
Say what you will about Gaspar Noe's films, but if nothing else they
are original and memorable. There are no
taboo subjects in his work, no topics too far out there not to merit a
little investigation. This film involves a
man,
who despite the long odds has fought the good fight
and stayed on the right side of the tracks. Despite this,
he
still ends up losing and decides if he can't get ahead, he's going to
get out, and get out with a bang. The film
follows our lead over the course of a couple of days, spliced with all
the information on how he got to where he
did, and daydreams about what he wants to do - be that molesting his
daughter, killing former clients, suicide,
or whatever else seems to ring his bell. Throughout all of this,
the film is awash in the constant insane ramblings
of our man, and they get crazier and crazier the worse things get for
him. Anyways, it is certainly an interesting
film, and while I'm unsure if it's ultimately good or bad, it's
certainly it's own movie like none other.
I Want Someone To Eat
Cheese With
(2006)
- 7 out of 10 -
Basically, this
is a light-hearted
“almost” romantic comedy made by and with a whole shitload of
Second City
comedians in Chicago. Jeff Garlin from “Curb Your
Enthusiasm” stars and directs this flick about a fat hapless
actor
trying to find both work and love in the windy city. Although
technically a comedy, I don't recall really laugh-
ing...but I still
enjoyed the film quite a bit. A lot of entertaining folks like Sarah
Silverman, Dan Castellaneta,
Richard Kind and even Amy Sedaris make
appearances.
Ice
Age: The Meltdown (2006)
- 6 out of 10 -
Fairly enjoyable
for a kids movie, but
nearly as good as the first “Ice Age”. Luckily I don't have
kids, but if
I did this film
would certainly be far less likely to
induce homicide than most kid's fare I see floating on the
airwaves. Yeah,
the story is by-the-numbers, but there are a few funny
jokes
and the ongoing squirrel versus
nut storyline
from the first flick
keeps things entertaining. I'm not sure my life needed a film where
there is a
love story
between two woolly mammoths, one of which
thinks it is an opossum, but here you go.
The Ice Harvest
(2005)
- 5.5 out of 10 -
The last 30 minutes of this film really saved it from being terrible –
some neat twists and turns and funny
quips and mindless violence, just like the doctor ordered. But
the first hour was slow, and no the good kind
of “smoldering with anticipation” slow but rather the “this could have
been a film short but let’s make it last
long enough to be a full length” slow. This flick got a “black
comedy” billing by the press but in reality it was
a noir through and through. Sure, Billy Bob Thornton had a couple
of funny moments but it’s impossible for
me not to laugh at that goof. This would be a decent late-night
cable catch but nothing worth seeking out.
Idiocracy (2006)
- 6.5 out of 10
-
I've never been
the sort to believe in
the occult, if but if I did I'm pretty sure this film is about as
accurate a
picture of how we will all end up as anything else I've
ever seen (though some version of Starship Troopers
might also be
highly possible). The film itself is more goofy than anything
else, but the underlying point of the
dumb out-breeding the smart is
probably not that far off base. As an added bonus, having the future
president
of the USA all beefcaked out like a wrestler, cursing and
flipping the bird to everyone...pure genius.
Idlewild
(2006)
-
6.5 out of 10 -
I
have a notorious hatred of musicals, but it doesn't take a crystal
ball to see that when the songs in the film
are actually enjoyable
and performed by a decent group that you may lighten up on your
opinions a bit.
I wasn't expecting much as far the story and acting
went, but the lads in Outkast actually did a decent job
with the
film. It doesn't hurt that I've always had a soft spot for
prohibition-era flicks and that they put the
always-great Terrence
Howard as one of the main characters either. It especially doesn't
hurt that I was
introduced to the gorgeous Paula Patton in this film,
a star in the making if there ever was one. This ain't
no “Citizen
Cane” mind you, but you'd be a fool to ever go in thinking it might
be – no, it's a light film with
decent music that more than
entertains.
The Illusionist (2006)
- 6.5 out of 10 -
On story alone I'd probably feel a bit more "meh" about this - only
the brain dead wouldn't realize what
was going on early in the film. But two things save this flick
and actualy make it enjoyable - the acting
jobs by Edward Norton and Paul Giamatti, and even more impressive, it
looked fantastic. Set design,
costumes, cinematography, and filming locale are all stellar;
and the special effects behind the magic
tricks were especially mesmerizing. This is top notch eye candy -
go in expecting anything more and
you might leave disappointed.
I'll Sleep When I'm Dead
(2003)
- 7 out of 10 –
This film is a real slow-burner, very British just as I expected.
Clive Owen is
fantastic in the lead role of
Will, apparently a hit man who has left the business and
disappeared into the woods but comes back to
the surface when a close friend (or brother, I wasn’t
really able to discern…) mysteriously dies. Will is
one of those “quiet killer” types and
lets his actions do the talking, a role Owen was born for.
Malcolm
McDowell plays
the bad guy as he often does, and does so quite well – why mess with a
good
thing?
In reading some other random reviews of the film, a number of
complaints have been lodged about how
the film drags, but to me that was one of it’s
strengths…given the nature of the
Will character, it seemed
to fit him perfectly to have the film progress as
it did. My only real
complaint was the ending, which was
a touch
vague as far as I was concerned – which was possibly the
point, to make it as mysterious as the
main character, but it did leave
me with a bit of a bad
taste in my mouth after having enjoyed the rest of
the film so
immensely. A better ending and this would have surely garnered at
least an 8.5 out of me.
I’m Not Scared (2003)
- 8.5 out of 10 -
the overwhelming feeling I
get when thinking back on this movie is how stunningly beautiful the
cinema-
tography and scenery were in
it…imagine Terrence
Mallick’s “Days of Heaven” but with much less
Richard Gere. The
stories are completely different, but both films evoke a feeling in me
that overstates
any story they are trying to
tell. The basic story here is basically that of a young boy doing
the right thing,
all wrapped up in a
crime/suspense plot. The acting is pretty great across the
board, especially from the
lead Michele;
it’s also worth noting that the actress playing is mom is uber-hot…hot
Italian actresses, oh
my. In some ways it
almost feels like a smart children’s film, but I suppose the subject
matter might be a
bit above their heads.
Nonetheless, a highly enjoyable piece of art that every one should
check out.
I'm Not There. (2007)
- 7 out of 10 -
Director Todd
Haynes has always had a
flare for the visual, and this flick is no exception – they took
the
life and times of Bob Dylan and got a number of different actors
to play the man at different stages in
his life. Lots of fantastic
acting here, with Cate Blanchett's turn being the highlight (earning
her an Oscar
nomination, and probably should have earned her the
win). While a lot of the Dylan actors aren't playing
literal
interpretations of the man, Blanchett does such a spot-on job you'd
think she were really him. The
film is a little spacey and jumps
around from story to story for no discernible reason, but it's still
quite
enjoyable.
But I still
don't know what the hell
the Richard Gere storyline meant.
I'm
Reed Fish (2006)
-
5 out of 10 -
Your
typical indie film, all about small town problems co-mingled with big
city aspirations. Lots of inter-
twined relationships, hurt feelings,
and of course, DJ Qualls. It's all very sensitive, kind of romantic
comedy without actually being funny. There are a lot of hot chicks
though, so I'll give them points for that.
In Good Company
(2004)
- 7.5 out of 10 -
Maybe it was a matter of coming into
it with low expectations, but I was pleasantly surprised
by how good
this film was – well written, no cheesy ending, and a decent
approximation of the current culture of mergers
& layoffs that pervade the white collar
world. Both Dennis Quaid and Topher Grace do fine jobs as the two
leading characters, and Scarlett Johansson is very cute
and likeable as usual; the one weird
thing is seeing
Marg Helgenberger in something other than
CSI. I half expected her to come across a corpse and start
investigating it at some point
in the film, but such is the world of TV stereotyping.
In The Cut (2003)
- 3 out of 10 -
I dunno, Meg Ryan was supposed to get naked in this but I never got
that far. Ruffalo playing some creeper
cop, boring characters, and a plodding story don’t make for good
viewing. I did like Ruffalo’s moustache
though, more movie moustaches please.
Incident at Loch Ness
(2004)
- 4 out of 10 -
A mockumentary
about Werner Herzog
filming a documentary on the monster in Loch Ness. I wish it had
been even
slightly as good as it sounds, but mostly I just found it
boring and pointless.
The Incredibles
(2004)
- 8.5 out of 10 -
I love cartoons when done
well; I also love superhero movies when done well; so it was no-brainer
that The
Incredibles impressed me
like it did. The art, as we’ve come to expect, was magnificent –
it recalled the
classic comic book styles
from the 40’s and 50’s with its simple, clean lines and colors.
It’s understandable
that they would get better
at their craft with each successive film, but it seemed they made a
huge leap with
this one. Of
particular note in the style category was the Incredible’s family home
– it was the most perfectly
stylized vision of 50’s and
60’s design…I’m still thinking about how much I want my house to look
like that.
The only possible complaint
is that the film might be bit long or slow in places, but I’ll accept
that for all the
good that’s featured here.
The story is fantastic as
well; one superhero marries another, they have superhero kids, comedy
and action
ensue. Even better
than the main characters, though, were the supporting cast – especially
Edna “E” Mode
(voiced by the director,
Brad Bird) as the
supersuit fashion designer, and Frozone
(voiced by Samuel L.
Jackson) as Mr.
Incredible’s main superhero friend. These two had me laughing an
enormous amount of the
time they were briefly
featured in the film. This is a great movie for kids of all ages,
not just the ones under 18.
Independence Day
(1996)
- 6 out of 10 -
This movie is beyond stupid, overly patriotic, full of cliched
characters, and the acting is pretty much awful
across the board. But it's a fun, mindless romp
with good special effects and sometimes that is all that
matters.
The Indian Runner
(1991)
- 7.5 out of 10
-
This film felt
like a feature-length
version of Bruce Springsteen's "Highway Patrolman". The
plot of the
movie and the lyrics of the song are only slightly
related, but the ambiance of both are cut from same cloth...
eerie,
foreboding, a blurring of the line between "good" and
"bad". A good story made much better by fan-
tastic acting,
especially on the part of Viggo Mortensen who just destroys every
scene he is in. Between this
and his work in "Eastern
Promises", he's really doing a lot to up the cache of the prison
tattoo industry.
Indiana Jones & the
Kingdom of the Crystal Skull
(2008)
- 1 out of 10 -
Aliens?!?
FUCKING SPACE ALIENS?!?!?!? Are you fucking kidding me?!?
Inside Man (2006)
- 8 out of 10 -
Spike Lee has made a classic heist flick, and he has made it
well. This is a film that could have been
made 40 years ago and would still be interesting today, outside
of the lead being a black detective; it
most definitely has that classic feel to it, and I feel certain
proclaiming it will stand the test of time quite
well. I’ve been a huge supporter of Spike Lee for years despite
his Knicks fandom, but this is the first
flick he’s put out since Clockers that has gotten me genuinely
excited…not that it’s all been bad between
then and now – the pilot to Sucker Free City showed a lot of promise;
Summer of Sam and He Got Game
had some great moments; and 4 Little Girls was moving and educational
but too heartbreaking to watch
more than once. Still, I hope this is a sign of the return of the
classic Spike Lee, where strong stories
accompany his always-great direction instead of mediocre screen
writing being strained to accomplish
more than it can.
Inside Moves (1980)
- 6.5 out
of 10 -
A bunch of
crippled barflies and an injured basketball player inhabit a run down
bar in Oakland. It might
have come out in 1980 but this feels like a classic seventies character
study film, where the folks involved
are much more important than any action or plot of the flick. It
also
helped in my enjoyment that there are a
number of scenes involving the Golden State Warriors from that era
which is
pretty cool as a Warriors fan.
This was the first film for David Morse and he does an excellent job,
as does Diana
Scarwid (who earned
an Oscar nomination for her work here).
Intermission
(2003)
- 7 out of 10 -
My girlfriend refused to watch this, hates Colin Farrell she
says. I’m pretty indifferent to the man, but
it
still shocks me that a straight woman wouldn’t like him – anyone can
tell he’s a handsome lad. But I can’t
imagine anyone leaving this film
with a crush on the man, because his portrayal of a chav is a little
too
perfect, you might actually think it’s his natural state…and he’s but
one of the grim characters you’ll come
to either love or hate in Intermission.
Set in the slums of Dublin, the film is one of those where a million
different story lines
become all inter-
woven with one another until it all becomes one big story at the end
(see Snatch, Pulp Fiction, etc…you
know, the Tarantino
affect). There are love stories, crime stories, and just general
fucking off; nothing
especially original with any of the plot lines, but enjoyable
nonetheless. The editing, pacing, and interesting
characters keep things from ever
getting boring. This film won’t win any awards or
break any sales records,
but it’s certainly worth checking out.
Into
the Wild (2007)
-
8.5 out of 10 -
Where
to even start with this absolute stunner of a film...quite simply,
one of the most beautiful films I have
seen in years, possibly since
“A Thin Red Line”. The story is a simple one – a young man,
Christopher
McCandless, travels the country looking for the purpose
in his life while attempting to escape his controlling
parents and
the path society has dictated he should follow. But the movie itself
is poetry on celluloid, some of
the most beautiful cinematography you
can imagine set to the words of McCandless and his family as they all
seek understanding in the path and tragic ending he chose. The
entire cast is spectacular, but Emile Hirsch
as the lead...I never in
a million years would have guessed this kid had this kind of
performance in him. This
is easily one of the two best films of the
year along with “No Country for Old Men” and no one else is even
close.
Invincible
(2001)
- 6 out of 10 -
Set in Nazi Germany, this is the true story of Zishe Breitbart, a
Jewish blacksmith's son from Poland who
came to claim some fame as a strongman in the entertainment
industry. Of course, when he started his
identity as a Jew was masked and the Nazis just loved him as a signal
of the awesomeness of the Aryan
race. This is all helped by Tim Roth in the role of an
unscrupulous promoter who turns out to be Jewish him-
self. Honestly, despite the interesting story going on the film
as a whole is rather boring, but not terrible by
any means. The best part of the movie for me was Anna Gourari,
who played Tim Roth’s wife in the film –
apparently this is the only flick she’s ever had a role in, which
saddens me, because she is one of the most
beautiful women I have ever seen in my life.
Invincible (2006)
- 7 out of 10 -
I love movies about football infinitely more than I actually like
football. In fact, I don’t really like football at all,
but I’ll watch “Necessary Roughness” pretty much anytime I see it
on. Shit, I even mostly enjoyed “The Re-
placements”. Now I have no idea why I actually like these
obviously cheesy films so much, but I just wanted
to throw it out there as some sort of justification for giving this
such a high score.
All that clarification aside, given that this is a true story it’s a
pretty remarkable one…not only did some
schmoe walk off the street and make the team, but he actually saw the
field a number of times. That would
never, ever happen today with the players the size they are, but it’s
still impressive nonetheless. Also note-
worthy was the attention to the costume and set details – the film took
place in the mid-70s, and they did a
fine job of really getting that seventies free wheelin’, bell-bottom
feel down ala “Summer of Sam” or “Dazed
and Confused”. Of course the film has been Hollywood-ized in how
the story is gussied up and told, but it
is pretty enjoyable flick.
The
Invisible (2007)
-
5 out of 10 -
A
ghost story movie, only the ghost is of a kid that ain't quite dead
and is trying to save his own life. I couldn't
shake that this felt
like a Korean film remake for some reason...no reason why though. Maybe
it was all the
lurking around and the rainy atmosphere. Anyways,
a goofy story, subpar acting, good for wasting time but
that
is about it.
Irma la Douce (1963)
- 7 out of
10 -
A classic Billy
Wilder romp, with Jack Lemmon hamming it up in nearly every scene,
Shirley MacClaine
falling somewhere between sexy and sassy, and a story that is
incredibly silly from start to finish. Like many
Wilder films it's the supporting cast that are the real stars, and this
film is no different - as fine a collection of
fake ruffians and put on whores as you'll ever see. Hell, even
Floyd the barber from the Andy Griffith show
has a small role! Lou Jacobi also adds a ton of color to the
flick. A great romp well worth viewing.
Iron Giant (1999)
- 7 out of
10 -
I put this off
for a long time, despite rave reviews from critics and friends alike,
because I found the animation
off-putting. Something about the style that didn't sit well with
me, but 10 years and a bored evening later,
I went ahead and watched it anyways. I still wasn't crazy about
the animation, but it was a great story that
seemed like it would be just as entertaining for adults as it probably
is for kids. Seemed like the writers did a
great job of conveying the cold war past of this country and
intermingling it with a classic sc-fi feel that made
the film come across like it might have been made in the sixties.
The Island (2005)
- 7 out of 10 -
Given that this was Michael Bay making a high-budget sci-fi action
thriller, I was expecting much, much
worse. The concept behind the film – rich folks cloning
themselves so that they could later harvest those
parts to help them live longer – was a pretty good one, and well
executed. The previews of this movie led
me to believe it was a Logan’s Run rip-off, and it even felt that way
for the first few minutes of the flick until
you figure out what was really going on. Of course, give that
this was intended as a summer blockbuster-
type film, the storyline is incredibly predictable, but the action
sequences and Scarlett Johansson’s boobs
made it all seem ok. Ewan McGregor did a fine job as the lead,
and I wouldn’t be surprised if he lands a
few more of these mindless action films in the future. This film
is like candy – it rots your teeth but it tastes
pretty damn good.
The
Island of Dr. Moreau (1977)
-
7 out of 10 -
This gloriously
unapologetic seventies
version of the classic H.G. Wells story is in a word: awesome. You've
got bad actors in terrible costumes actually fighting with
real live animals – tigers, lion, jackals, bears, you
name it. You've got Michael York and Burt Lancaster giving some of the
cheesiest performances of their
careers. And maybe most importantly,
you have Barbara Carrera looking ultra-mega-crazy hot. Really, you'd
be a fool not to watch this goofy-ass movie.
Island of the Dead
(2000)
- 3 out of
10 -
When you decide
to make a movie about a swarm of killer flies, the end result is a
bunch of people standing
around swatting at their face while you hear a buzzing sound.
Brilliant idea, guys. Can't believe Mos Def
agreed to be in this film, though sadly I CAN believe Malcolm McDowell
did...
It!
The Terror From Beyond Space (1958)
- 3 out of 10 -
The closing line
from this movie is
“Another name for Mars is 'Death'.” Sadly, another name for this
movie is
“Boring”. It's almost commendable that they managed to
make a movie about a monster from Mars slowly
killing off the staff
of a space ship this incredibly slow and uninteresting.
The Italian Job (1969)
- 7.5 out of 10 -
Let it be noted that (a) I liked
the remake of this film even though (b) the two of them
were almost nothing
alike. That said, this movie blows that one out of the
water. Which should come as no surprise, as this is
almost always the case with remakes, but it has to
be stated anyways. But it’s kinda silly to even note though,
because as I said, they are truly two totally different
films.
This whole thing is kinda like a
comedic version of James Bond to me. Tons of style,
it just oozes out…the
cars, the girls, the dress, this was an obvious touchstone for
the Austin Powers movies. Did I mention the girls?
So hot! The story is about a
caper, as they always are, thieves stealing money but are somehow
portrayed as
the good guys because they are
taking the money from even worse people than them. The whole film
zips
along quickly and
before you even know it,
it’s over. Also, it has Benny Hill in it, which makes it
automatically
awesome. Also, in case I
forgot to mention it…hot girls in this film as well.
Jackass Number Two
(2006)
- 8.5 out of 10 -
I’m not entirely sure how you review a film full of pranks with
absolutely no unifying theme to it other than
causing others pain…you either like it or you don’t. if you like
this sort of revelry, the Jackass crew really
steps things up for the sequel – it’s grosser, more painful and a lot
funnier than it’s predecessor. Part of
this is probably due to more money in the coffers from which to make
more elaborate pranks, and this
also allows them to film more material and really carve it down to just
the best stuff (in fact, on the DVD
there is nearly an entire films worth of additional footage that is
pretty damn good as well and worth
seeking out). Anyways, you’ll laugh, you’ll cry, you’ll shield
your balls at all times after enjoying this
compilation of tomfoolery.
Jackass 2.5 (2007)
- 5 out of 10 -
Instead of
including this odds-n-sods
collection of failed stunts and b-roll material on the DVD for their
last Jackass film, they decided to release it as “Jackass 2.5”
instead. This might have been a sound
business decision, bringing in
a little more scratch, bit there really isn't anything outstanding
enough
here to warrant a separate release. Sure, there were some
funny skits and the commentary was enter-
taining but for my dollar I'd
rather just buy a deluxe version of one of the other films and
include this
footage there.
The Jacket (2005)
- 5 out of 10 -
I don't know why
watching this film made me think of "Jacob's Ladder" - maybe it was
because I would
have rather been
watching it. They both have that same kind of institutionalized
suspense feel to them,
and the whole war vet
thing, but that's where the similarities stop. The whole
idea of being locked in a
morgue
drawer and going into the future and changing what happens in the
past - it's not just convoluted
and assinine, it's
boring. But at least Keira Knightley is in it looking hot and
distracting you from that
goofy plot, so
there's something. A score of 5 is generous here, but I actually
finished the whole damn
thing so I guess
that's got to count for something.
Jackie Brown
(1996)
- 6.5 out of 10 -
Not a bad movie by any means, and probably worth watching for the
comical sex scene between Robert
DeNiro and Bridget Fonda and/or Samuel L. Jackson’s hair
alone. But it’s missing that extra bit of style
or flair that has made all of Quentin Tarantino’s
movies (both before and after) so much more fun to watch.
It’s a decent story and well acted, but
just not a particularly exciting movie. However, I’m pretty
certain that
QT was going for that 70’s crime caper
feel, and pulled it off well, but he forgot to put his stamp on the
genre, and that’s the biggest problem.
Jack
the Bear (1993)
-
6 out of 10 -
I
watched this because it is set in Oakland, hoping to recognize some
locations, but outside of a mention
of the A's winning the World
Series (this was set during their mid-70s dynasty), there was nothing
really
Oakland-specific about the film. As for the movie itself,
it's quite depressing really – mom dies; dad is a
drunk taking care
of the kids alone; there is a kidnapping; a dog gets killed; really,
the laughs are endless.
Not one you feel good about at the end, but
not terrible either.
Jarhead (2005)
- 7.5 out of 10 -
This book and film got a lot of flack from right-wing nutjobs for
portraying the Marines and U.S. in a bad
light, which never really made sense to me. The whole thing was
presented from the beginning as one
man’s memoirs of a fucked up time in his life – obviously things are
going to be colored in his favor, it’s
not a history book, partiality is to be expected. But this review
isn’t about those people; it’s about a movie,
and a damn entertaining one at that. Going in, I had
read and loved the book so my hopes were pretty
high, and this pretty well lived up to the hype my mind had
created. The film followed the book quite well,
which is always a concern in these situations. The only real WTF
moment came near the end when in
celebration the soldiers all began firing their weapons in
the air as if it were the wild west…highly unlikely.
Everyone did a great job, especially Jamie Foxx and Jake Gyllenhal, and
even if you thought the film was
crap it was great to look at.
Jay and Silent Bob Strike
Back (2001)
- 7.5 out of 10
-
I
put off watching this goofy flick for years because I always heard it
was terrible. I suppose in a lot of
ways it is – the story is
absurd, the acting piss poor, and I'm not positive Kevin Smith did
any directing
at all. But to quote Jay – fuck all that shit, this
film is the bomb. Sometimes this kind of retardation is
just what
the doctor ordered. I laughed, a lot, and goddammit that is good
enough for me.
Jerry Maguire (1996)
- 5 out of 10 -
You had me at "cheeseball love story disguised as a sports movie."
I put off watching this for years - 9, by my count
- and now that I finally got around to seeing this, all I can
say is "meh". Tom Cruise is always irritating, and doesn't let me
down here; Renee Zellweger is always
creepy, and doesn't let me down here; there is the
prototypical "cute kid" with a sassy mouth that makes
the heartlan moms go "aww"; and this film further confirms that Cameron
Crowe is one of the most over-
rated directors working today - not that his work is bad, but it
certainly isn't worthy of the high praise it
generally gets. All that said, Cuba Gooding Jr. was quite good
here, and pretty much the only thing that
kept me watching this heap.
What's more dumbfounding than the movie itself is that it continually
pops up lists of "greatest sports
movies" for reasons I can't ascertain. THIS ISN'T A SPORTS MOVIE.
There may be sports in it, but it
isn't the defining factor of the film, that would be the goofball love
story.
Jersey Girl (2004)
- 5 out of 10 -
This movie started out so badly that for me to even give it a 5 is
saying a lot about the last 2/3rds of the
film. Man meets woman, they get married and pregnant and when the
kid comes the mom dies, leaving
the man to raise his daughter alone. The mother is played by
Jennfer Lopez, and it might be the only time
I rooted for a mother to die in child birth.
There are a few comedic moments in the film, mostly because of Stephen
Root's brief appearances, but
mostly it was a "sweet" film, or at least that was his intention.
The little girl who plays his daughter was
pretty good outside of the fact that she was in 1st grade and talked
like an adult - it was like the early stages
of "Dawson's Creek Syndrome". But she was extremely cute and
helped offset Ben Affleck's ham-fisted
acting. What happened to this guy? It seems more and more
obvious that his performances in Dazed &
Confused and Good Will Hunting were the flukes in his otherwise
terrible career.
Now that i think about it, 5 is probably too high, as there really
wasn't enough Stephen Root to justify that.
So consider it a very weak rating of 5.
Johnny Dangerously
(1984)
- 8 out of
10 -
I'm not entirely
sure how I missed seeing this flick for so long - directed by Amy
Heckerling and starring Michael
Keaton when he was on top of the world, it's hard to imagine it
wouldn't be at least okay. Turns out it's damn
funny - full of sight gags and slap stick, it feels like a live-action
cartoon much of the time. And certainly Marilu
Henner looking pretty goddamn hot doesn't hurt things. Dom
Deluise, Danny Devito and even Dick Butkus all
have small cameos...even Alan Hale aka "The Skipper" from "Gilligan's
Island" makes a brief appearance.
No "lil' buddy" though.
Joysticks (1983)
- 4 out of 10 -
It is almost
admirable that the
filmmakers behind this film managed to make it so boring, given that
it entirely
revolved around early 80's video games, boobs, and Joe
Don Baker. Sounds like a recipe for a hit right? But
no, outside of
the gratuitous boob and beaver shots, there ain't a lot going on
here. Maybe if they would have
had more “Frogger” footage...the boobs were nice though, I ain't going
to lie. There just needed to be either
more boobs or an actual story....
Junebug (2005)
- 7.5 out of 10 -
Any film shot in North Carolina,
that is actually about North Carolinians is certain to draw my
attention;
so often these films saddle every
character with the prototypical southern stereotype nonsense, and
give them all that Texas cowboy
hick drawl – cause you know, all of the south sounds the same.
Most
people don’t realize that not
only
are there many dialect differences throughout the south, but in NC
alone you can come across three
major distinct styles of speech (and countless minor ones). Now,
this sort of thing is always
inconsequential to anyone not from the area film is about – for
example, I
couldn’t tell you what an
authentic Creole accent sounds like. But as I was born, raised
and attended
school all across North Carolina
my ears automatically prick up at the prospect of some filmmaker
giving his take on what we sound
like. And I am pleased to report that Phil Morrison has done the
state proud. I can’t say
that I know who the guy is myself, but given that he directed a
documentary
on Superchunk it would lead me to
believe he may be from our fair state himself, given him a little
inside track on how to sound
“North Carolinian”.
But all that aside, the real
question is – is the movie worth a shit? My answer is – yes,
quite. The gist
of this flick is a native son
returns home from his new home in Chicago with his big city girlfriend,
and
she gets to experience the unique
charms and eccentricities that his family provide. A fish out of
water
thing, which obviously turns out
a-ok in the end, but it’s a nice ride along the way. Former
Hooters
employee Amy Adams was nominated
for a Best Supporting Actress Oscar for her role as the pregnant
sister of the prodigal son, and
she is fabulous in the role…she embodies half of the women I grew up
around fantastically, it was a
little frightening actually. All told a good, sweet film that
most folks will like
and won’t embarrass us North
Carolinians.
Junior Bonner (1972)
- 6 out of 10 -
For a Sam
Peckinpah film starring Steve
McQueen that is supposed to be about the lonely life of the
rodeo
rider, this movie came off feeling a bit...silly. Not that it wasn't
enjoyable – given the subject matter
and the actors involved, it
would have been impossible to make a wholly terrible flick – but I
suppose for
some reason I went into the film expecting something with
a little more gravitas.
Jurassic Park III
(2001)
- 4 out of
10 -
I'm sure Sam
Neill and William H. Macy enjoyed spending the money they earned from
this pile, but good
lord they can't feel good about it. The first Jurassic Park
sequel was barely tolerable, but this is just out and
out awful. It's amazing how dated the special effects already
look on these films, but bad special effects
coupled with an awful story isn't to anyone's benefit.
Just Like Heaven
(2005)
- 1 out of 10 -
This really deserves a zero, but I guess Reese Witherspoon's cuteness
is just enough to bump this up one
notch. It took about 15 minutes to realize this movie was
assinine beyond all reasonable thresholds. It really
begs the question why Reese and Mark Ruffalo would stoop to such
levels, but I guess everyone needs a
paycheck and maybe there were no other good offers on the table.
Kansas City Bomber
(1972)
- 5 out of
10 -
Far and away the
greatest roller derby movie ever made starring Raquel Welch, and good
lord is she ever
hot in it. Honestly, now that I think about it, it's really the
only important part of the film. Yeah, typical plot
about a woman trying to make it in the world, being treated differently
(and taken advantage of) because of
her looks, she triumphs over evil in the end. Seriously though,
Raquel is just crazy hot in the movie, you'll be
transfixed to her and not be able to stop watching. Also: look
for a young Jodie Foster playing Raquel's
daughter. That damn woman has been acting since she was a fetus.
The Karate Kid (1984)
- 9 out of 10 -
Do I seriously need to justify the awesomeness of this movie? Wax
on, wax off…the crane kick…”sweep
the leg Johnny”…Pat
fuckin’ Morita? I, too, let my feelings wane on this
one...once upon a time it was a very
favorite of mine, and not unlike most kids I spent some time
emulating it in my childhood.
But a recent re-
watching told me something – yes, it’s just as awesome as ever.
And god! That Elizabeth
Shue, how she
filled my dreams for years and years. Between this and Adventures
in
Babysitting
I see no reason why she
hasn’t gotten a star on the walk of fame yet and a lifetime achievement
award
from the academy.
Kids in the Hall: Brain
Candy (1996)
- 7 out of 10 -
If for nothing
else, this film deserves
a high rating for the “I'm Gay!” song Scott Thompson sings even
if the rest
of it was rubbish. As you might expect, when clip show
folks try to stretch their ideas into feature-length films, the
outcome can often end up feeling a little stretched thin; but
luckily, given the talent involved with the Kids in the
Hall crew
these moments are short lived and before you know it one of the
members is dressed as a lady and
you're laughing again.
Kill Your Idols (2002)
- 6 out of 10 -
A documentary on
New York City
underground music, focusing heavily on the no-wave scene of the late
70s/
early 80s and the modern version of that same scene, with the
requisite footage of the old schoolers putting
down the new kids on
the block. Even though they were often right, it came off as crabby
old men for the most
part. They could have just let the music speak
for itself, because all of the old no-wave footage was light years
ahead of what is being put out now (mostly).
Killers from Space
(1954)
- 1 out of 10 -
Ah, the halcyon
days when you could
make a space alien movie and absolutely nothing happens at any point
in
the film. There is a reason this got the MST3K treatment, but it
was so damn boring they almost didn't have any-
thing to work with.
The Killing of a Chinese
Bookie (1976)
- 6 out of
10 -
This is a movie
about...killing a Chinese bookie, obviously. No, as a John
Cassavetes film it's much more
about the characters than the plot devices, and this movie is 100%
about Cosmo Vitelli, a strip club owner
who tries to be a good guy but can't ignore the allure of
gambling. Just as he gets on his feet, he steps in
grease and lands on his ass again. Cosmo is played superbly by
Ben Gazzera in one of the finest perform-
ances of his career. It also doesn't hurt that there are a lot of
hot naked 1970s ladies sprinkled throughout
the flick.
King Arthur (2004)
- 6.5 out of 10 -
Not the best telling of the King Arthur tale - which would obviously be
a tie between Monty Python's The Holy
Grail and the animated Disney feature The Sword in the
Stone - but entertaining enough I suppose. It gives a
bit more historical background than the typical version of
this story, the action scenes are great, and there's a
great doom- n-gloom look to the whole affair
that makes it enjoyable to watch. Yeah, I wasn't buying Keira
Knightley as a sure
shot archer and warrior
either, but she's so damn cute I'll try and look past it. Clive
Owen
played the same stone-faced,
stoic character he almost always plays but he's damn good at it so why
mess
around? A little slow at times, but
an entertaining film for sure.
King Corn (2007)
- 7.5 out
of 10 -
Surprisingly
interesting & effective documentary about the state corn production
(and farming as a whole)
in America. Joe Schmo generally thinks “grow corn, harvest
corn, sell corn” but it infinitely more compli-
cated than that. Subsidies, ethanol production, the
high fructose corn syrup lobby, and countless other
issues pop up when crops are grown in the States.
It's pretty eye-opening actually - not just of the struggle
of the farmer, but the immense amount of
bureaucracy involved with something as simple as growing
some food.
King of Blue Grass
(2003)
- 5 out of 10 -
This is the story of Jimmy Martin, a bluegrass artist who has been
playing gigs since the 40’s or 50’s or
one of those decades that happened a long time ago. According
to interviews on this, he was a real
innovator with his guitar playing style and in teaming with the
legendary Bill Monroe they introduced a
style of bluegrass that was really able to cross over into the
mainstream country world and draw in
thousands of new listeners.
Despite all of this, Martin has still never been invited on
the Grand Ole Opry
as a regular, which is essentially considered to be the
“hall of fame” for these type of musicians. Like
his music or not, it’s pretty obvious he
belongs there amongst his peers and this is a major oversight on
the part of the committee behind the selection
process.
All that said, this is a pretty ho-hum documentary for the most part –
the music is good, and Martin is a
fairly interesting character, but something about it was too dry, too
boring, and ultimately not very enjoyable.
I’m not sure what really
could have fixed it, perhaps making it shorter, a different
style of direction…whatever
the case, it could have been much better.
The King of Kong
(2007)
- 9 out of 10 -
A classic
villain/hero story set in the
slow-moving world of competitive video gaming. Steve Wiebe, a
mild-
mannered father
of two decides to try to break the world Donkey
Kong record set in the early 80's. Problem
is, the current
title
holder is a real douche who clings to his youthful glory and works
hard to thwart Wiebe's
efforts. You
have to love a film where a place
called “The Funspot" in Lake Winnapausaukee, NH, plays a
pivotal role.
You also have to love the villain; his hair and ego are
epic. This is a fun, well made doc that
explores a
geekily bizarre
video gaming subculture. (Chelsea Junget)
The King of Marvin Gardens
(1972)
- 6 out of
10 -
This was a weird
fuckin' movie, about as "seventies" as you could possibly
imagine. There's a DJ with a
grifter brother and they go to Atlantic City with some trampy women and
a lot of shenanigans go on but god
knows what any of it really was. But it's worth watching because
both Jack Nicholson and Bruce Dern turn
in great performances, Ellen Burstyn is great as always (and kinda hot
back in those days), and there is
something mesmerizing about the living decay that was Atlantic City in
those days. Not that it is all that
much better now, but there is something about the NY/NJ area in the
seventies and early eighties that
sucks me in like few other locations.
King of New York
(1990)
- 7 out of 10 -
Despite David Caruso being a feature player in this film, the
awesomeness of casting Christopher
Walken as a mob boss was a brilliant move and one that should have
hopefully earned some casting
director not only accolades but a fat bonus check at the end of
the year. He made what would have
otherwise been a poor-to-average gangsta flick into something worth
noticing. He’s helped along with
nice turns by Steve Buscemi and Laurence Fishburne as his
co-conspirators and Wesley Snipes as one
of the cops out to get him (and Snipes almost overacts more than
Walken…almost). Director Abel
Ferrara has always had a special talent with the camera, and the
cinematography here is no exception –
good stuff all around, especially in the last 20 minutes when
everything goes nuts. This is highly recom-
mended for Walken alone, but worth seeing overall just for being a
decent film.
King of Ping Pong
(2007)
- 4 out of 10 -
I'm not sure I
“got” this...an
unpopular fat kid in a desolate part of Sweden is fascinated with
ping pong. But
he's not really any good at it, no one likes him, his
mom is weird, and, well, that was it really.
King of the Hill (1993)
- 7.5 out of 10 -
I loved loved LOVED this book when I read it in high school (or was it
8th grade? somewhere around
there), and I remember how excited I was when they made it into a
movie. How rarely do they get adap-
tations right? Not very...but luckily, Steven Soderbergh was spot
on in this case. The book/film deals
with one of my very favorite subjects, the Great Depression, but
through the unique lens of a child dealing
with it all on his own - his mother is sick and residing in a
santorium, his father is a salesman who is
constantly on the road, and he is living in a run-down
hotel room in a sketchy part of St. Louis. I recently
got the chance to rewatch this lovely piece of cinema,
and it stands up just as well as it did the first time I
saw it. In a lot of ways it reminds me of Steven
Spielberg's "Empire of the Sun", in how it explores a well
known subject through the eyes of a minor, giving very
different insight than what most are used to seeing.
I highly recommend both this film and the book...as a matter of fact, I
might need to read the book again
myself it was so enjoyable.
The Kingdom (2007)
- 6.5 out of 10
-
An American
housing facility in Saudi
Arabia is bombed and a team of Americans investigate it. Not
terrible really, but it felt like a big budget movie-length version
of a prime time detective show and not
much like cinema.
Kingdom of Heaven
(2005)
- 6.5 out of 10 -
As a general rule, I
love a
good gang flick - and what makes for a better setting than religion?
For all
intents and purposes, they're not really that much different from
gangs...intimidation, promises of pro-
tections if you pay them, murder, thievery...etc. Tihis
particular film deals with one of christianity's
greatest attrocities, the crusades.
To the film's benefit, they do a good job of making
both the Muslims and the Christians look generally
like morons, so that's something. Orlando Bloom does a decent job
as the "hero", as unbelievable of
a character as it is. And the film is really great to look at, as
you expect out of most Tony Scott films.
But the most impressive reason to watch this is for
the battle scenes, even if they do get a little over-
zealous with the CGI blood.
I liked this well enough...but mostly I just remembered how much I
dislike religion.
Kiss Kiss Bang Bang
(2005)
- 7 out of
10 -
I’m trying to
think, and off the top of my head I can’t
recall a “comedy noir” as effective as “Kiss Kiss Bang
Bang”. Combine a murder mystery, an off-kilter
narration, some nice boobs, a few decent action scenes, and
a lot of witty
one-liners and it might come out something like this flick. It’s
one of those weird movies where
the lead
in the film (Robert Downey Jr) addresses the camera like he is talking
to the
audience and it doesn’t
seem off. Val
Kilmer does a nice job playing a character called “Gay Perry” and there
is even
a Corbin Bernsen
sighting! I can’t say
that I really had any expectations one way or another when I decided to
watch
this, other than
maybe be entertained for a couple of hours, but this was
exceedingly more entertaining than I ever would have
hoped.
Kitchen
Stories (2003)
-
7 out of 10 -
This
film is the very definition of cute and quirky – set in the 1950s,
a group of Swedish researchers set
about studying the kitchen usage
patterns of single Norwegian males. The story is so absurd that it
must be
based on a true story, cause I have no idea how you would
come up with a film idea like this out of the blue.
Anyways, there
ain't really a lot to say on it...interesting characters, capable
story, nice scenery – an all
around good movie.
Kontroll (2003)
- 7 out of 10 -
This Hungarian film follows the exploits of a group of
ticket inspectors and the daily problems they
encounter, all set to an upbeat electronic soundtrack as only the
Europeans could pull off and not
make me want to gag. Surly passengers, fare skippers, loopy
subway drivers, and even serial killers
are all on the menu for our "heroes" to tackle, so to speak. And
by tackle, I of course mean fail mis-
erably at doing their jobs - that is except Bulcsu, the
leader of this rogue band. The whole film very
much had a modern day wild west feel to it, a posse of "lawmen" trying
to keep the peace in a town
where no law exists. It's not that special of a film, and I'm
honestly having trouble recalling much detail
at this point, but I definitely enjoyed the film when I
watched it.