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***July Thirtieth Two Thousand and Fifteen***


After the passing of Mouse I needed a little break.  But now, I only have one question...



Burt and our new giant giraffe.  Cary, NC.  

Common sleeping position.  Cary, NC.  

Mom's new feral cat friend.  Marion, NC.  

Old gas station.  Kenansville, NC.  

Storm impending.  Lake James, NC.  

Birthday present.  Cary, NC.  



The dude's name is Sky Siljeg, he skates for LibTech Skateboards, and he rips.  I'd never heard of him, The last time
I thought of LibTech making skateboards was the late nineties, and none of that matters after you watch this video.  

Michael Mackrodt and company are back with another skate travelogue video called Buddha Hide Out.  This one
heavily features Cambodia, and really made me want to go back there.  

Nick Boserio is so goddamn good and fun to watch it almost makes me mad, but then I realize that's stupid and just
enjoy everything he does.  Here's his newish part.  And this is an even newer and short part from last week.

In non-skate news, David Sedaris reading a new story.  I love all things Sedaris, and this one is just as delightful as
the rest of his material.  

Tons of photo journal entries, from a trip to the Smokies to a trip to DC to band photos and then some other randoms.  


Future Islands
Carrboro Commons

Sorta-local rock stars Future Islands were playing their 1000th show, and decided to do it via an all-day part in
Carrboro.  Between the pregnant wife and general laziness we only arrived in time for the headliner, but the line-up for
the whole day was pretty great - Lonnie Walker, Valient Thorr, Ed Schrader's Music Beat, Dan Deacon and Danny
Brown - the crowd definitely got their money's worth.  A crowd that, by and large - at least where I was standing - was
awful.  I'm stoked for Future Islands that they are as big as they are, they certainly deserve it, but this level of popularity
really has a way of stirring up the dregs of society.  I mean, yeah, I bitch about how awful the crowds are all the time,
because I generally hate everyone - but this was probably a new level...we're talking water park level patrons. 

Anyways, back to the actual performance - the band sounded great and played a nice cross-section of their music,
including a few rare early tracks.  Lead singer Sam Herring was a little more subdued than usual, possibly because
the of the outside heat, or maybe the whole gravity of it being their 1000th show was weighing on him.  He also talked
a ton between songs, lots of reminiscing about the band's early days which led to the wife stating "too much yapping"...
she's not known for her patience.  I think it was expected though, and the crowd didn't seem to care - after a day of
music and heat and sweating and drinking, they were all lubed up pretty well and not feeling any pain. 

Not the ideal scenario, but it was still fun...and maybe we can take the kid to their 2000th show, this time outside of the


Carolina Theatre

Finally, after more cancellations than the current NBC sitcom schedule, Morrissey showed up in North Carolina for
the first time since 2009.  On that tour I drove to Myrtle Beach and saw one of the oddest shows ever put on by him,
from the setlist to his clearly shredded voice to the insane crowd.  This outing was better than that one to be sure,
though much more subdued, due partially to the theatre being all assigned seats, and even more because of the set-
list that focused so heavily on his new this point I've come to expect the second part from Morrissey, but
that doesn't make it any less of a disappointment.  The highlights of the night for me were three-fold: He kicked off the
gig with "The Queen is Dead," and how could you not get excited about that; "Speedway," a long-time favorite with
an added twist when one of the band members sang the last verse in Spanish; and most importantly, his voice sound-
ed fantastic.  Other top tracks included classics "Suedehead," "Everyday Is Like Sunday," and "Now My Hear Is Full,"
and newer hits like "First of the Gang to Die" and "The World Is Full of Crashing Bores."  From my spot in the balcony
I couldn't really see the video board, which ended up being a plus when he aired a graphic animal abuse video during
"Meat Is Murder" - though it was still cool to hear the song.  The only other noteworthy thing that come to mind was the
use of a didgeridoo during "World Peace Is None of Your Business" - it was nice seeing it used as an actual instru-
ment and not just a hippy accessory.  It was an expensive show, and he only played a few songs I was really excited to
hear, but any chance to see Morrissey is one worth taking. 


Belle & Sebastian
with Alvvays

Another year, another trip out of town to see Belle & Sebastian, since they will never play here in the Triangle appar-
ently.  At least this time we didn't have to get on a plane, instead driving up through the never-ending abyss that is
Virginia to our nations capital, Washington DC.  The band was playing in a giant box called Echostage that usually
hosts the drug-addled EDM crowd, and based on the level of police presence outside no apparently informed them
that the twee pop crowd B&S draws isn't likely to cause the same level of problems.  In fact, as the wife noted, the only
work they seemed to perform on the night was to tell concert-goers that they would have to go to the bottom of the hill
to catch their Uber rides after the show. 

Strange setting aside, the band put on a rousing performance - eighteen songs total including the encore, with many
from their new record "Girls in Peacetime Want to Dance."  They did not spare any part of their catalog though - at
least five of the tracks were from early records "Tigermilk" and "If You're Feeling Sinister," plus some of their early
singles like "Jonathan David" and "I'm Waking Up to Us."  Stuart mentioned a few times had put together a set of
animal songs, and he wasn't lying - included on this night was "Funny Little Frog," "Judy and the Dream of Horses,"
"The Fox in the Snow" and "Dog on Wheels," much to my delight.  They had created videos for the backdrop for a
couple of the new songs last time around in Miami, but this time it appeared that more tracks had video accompani-
ment than didn't.  The band was running fourteen deep this time with a local quartet of strings and a trumpet rounding
out their sound, as seems to be the norm.  The strings seemed much bolder in the mix than the last couple of times
we've seen them - not sure if this was a decision of the band or something the club did, but either way I liked it.  The
club was hot as balls, and much more crowded than last time, but in the end it was a glorious good time as always. 

We caught most of the set by the opener Alvvays, and they get a big thumbs up (not something I can often say about
B&S opening acts).  I had listened to their self-titled debut a few months back and thought it was fine but nothing spec-
tacular; live, though, it really worked - retro jangly guitar pop with a little surf twang.  As is my way, I immediately start
trying to figure out who they sound like, and for some reason I kept coming back to Velocity Girl - not an exact match,
but a similar vibe.  A couple of the songs had the pop hooks of a modern pop act like Best Coast, but with a heavy
C86 vibe...and if any of the band members of Alvvays were even a thought in their parents eyes when that original C86
compilation came out, I would be shocked.  I'm now going to revisit that self-titled record of theirs, because I have a
feeling I'll have a much greater appreciation for it the second time around after experiencing them live. 


Spider Bags
Person Street Bar

A free Spider Bags show at a matinee's like they read my mind, everything I ever wanted in a live show.  They
were playing as part of the Indy Week's "Best of the Triangle" party, held in the parking lot of Person Street Bar.  For
an outside show the sound was pretty damn good, if a bit loud - then again, I was standing up front taking photos and
forgot my earplugs so it's my own damn fault my ears were ringing for a couple of days afterward.  I suppose it was
like any other Bags show, and I've seen them a lot of times, only this time it was in broad daylight, had random non-
fans, dogs and children wandering around, and people were feasting on Mexican food from the food truck parked
near the stage (for the record, I support more Mexican food being available at rock shows...and non-rock shows...well,
pretty much all the time, everywhere).   They played all their hits like "Keys to the City" and "Que Viva Rock n' Roll" and
a lot of their most recent record, "Frozen Letter," plus a couple of new songs, one of which was an epically long, mostly
instrumental kraut/swamp/boogie affair.  As with all Spider Bags shows, I left the affair completely satisfied, already
plotting when I'd next get a chance to see them again. 


"I don't know why they call this stuff hamburger helper. It does just fine by itself, huh? I like it better than tuna helper
myself, don't you, Clark?"

Aesop Rock - Daylight.  Pretty sure this might be my favorite song ever by him.  

Nirvana - Drain You.  Hey, that Nirvana was a pretty good band, you folks should give them a chance.  
Bonus: In Bloom
Bonus: Lounge Act

Paws - Give Up.  One of my favorite new finds of 2014.  
Bonus: Someone New

Russian Circles - Carpe.  You know, post-rock or something...what the kids are into.
Bonus: Death Rides A Horse

Silver Jews - Trains Across The Sea.  One of the greatest album openers of all time.  

Songs Ohia - The Body Burned Away.  Still bummed about the passing of Jason Molina.  A true treasure.  
Bonus: The Ocean Nerves

Weird War - Grand Fraud.  Ian Svenonious = god.  
Bonus: If You Can't Beat 'Em, Bite 'Em

Wilco - Handshake Drugs.  Wasn't a huge fan of "A Ghost Is Born" when it came out, but a recent revisit led me to
believe I'd been a little too harsh on the first pass.  
Bonus: I'm A Wheel
Bonus: Theologians


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